A Quote by Richey Edwards

All you can do to the past is to never want to be like it. — © Richey Edwards
All you can do to the past is to never want to be like it.
I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
I never want to abandon my roots. I want to give my past and the history of painting the importance it deserves, including the masters like Rembrandt, who built up the surface of the canvas with transparent layers.
You have to make the decision to let go of the past if you want to move forward. Reliving your painful past will poison your heart and your tomorrow. If you look at today through the eyes of the past, you can never see what the present moment has to offer.
Sentimentality and nostalgia are closely related. Kissing cousins. I have no time for nostalgia, though. Nostalgics believe the past is nicer than the present. It isn't. Or wasn't. Nostalgics want to cuddle the past like a puppy. But the past has bloody teeth and bad breath. I look into its mouth like a sorrowing dentist.
We want to overthrow the imperial power not because it is Manchurian but because we want republicanism... We republican revolutionaries can never have the notion of becoming emperors after the revolution, like all the peasant rebels did in the past.
I don't like talking past the next game. It's never served me right in the past.
For inspiration you go to the archives, you go to things of the past, but you still need to be contemporary for today. You can never forget the time you're living in because the past is the past and it will never come back.
I've never seen magazine covers and seen music videos and been like I need to look like that if I want to be a success. Never. I don't want to be some skinny mini with my tits out. I really don't want to do it. And I don't want people confusing what it is that I'm about.
I don't want to be remembered for my activities of my past, but for what I am doing today. By that I mean, I don't want to rest on my laurels satisfied by my past deeds. I want to contribute to the advancement of our Folk each and everyday.
The past is a curious thing. It's with you all the time. I suppose an hour never passes without your thinking of things that happened ten or twenty years ago, and yet most of the time it's got no reality, it's just a set of facts that you've learned, like a lot of stuff in a history book. Then some chance sight or sound or smell, especially smell, sets you going, and the past doesn't merely come back to you, you're actually IN the past. It was like that at this moment.
I'm never going back to the past. It is like when I am driving - I never like to do those routes that take you backwards and make you go the long way. I always like to do the shortcuts and go forward.
It's probably the ethos of our program - like, you learn from the past but never dwell on the past. It's just a mindset of we don't wallow, we don't worry... we just attack.
To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.
I'm very nostalgic, and I spend a lot of time in the past, in my mind. That's part of my challenge, and what I really want to do is, I want to be present. I want to leave that in the past. When I say nostalgic, I mean my own life. I spend a lot of time reflecting on my past and not being able to process time.
As an actor, you never want to feel like a tool. You never want to feel like, "Hey, just come here, say this, stop here, look this way," and that's it. You want to have a little input.
Never say never. I always want to look like myself - that's key for me. I don't want to look like a different person, I don't want my face frozen.
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