A Quote by Richie Faulkner

It's also giving back to the community that put us all there in the first place. Priest wouldn't be here without the support of the fans. As soon as I joined the band [ Judas Priest], I got it straight away. Especially in my situation, since I've only been here five minutes. I was a fan.
I write a lot of stuff, and some of it I don't even present to Judas Priest. But having said that, my first love is to play Judas Priest music.
All I've got on my iPod is every single Queen song and every single Judas Priest song. Queen were an incredible heavy metal band. I saw them on their first ever tour, at Birmingham Town Hall. They just blew me away.
I was in several bands before I joined Judas Priest. Being in those early unknown bands were the stepping stones, really, so I learned a lot in those short few years jumping from one band to another.
It was about working with other musicians, but more than that it's about exploring musical areas that you could never do with the band you're in, in my case Judas Priest. You could tackle musical areas and lyrical areas that wouldn't be appropriate for Priest.
I think we all appreciate it now just how lucky we are to be in a band like Judas Priest.
The evil of the Church is the doing of Church work in a spirit of business, something to be got through. The only way to avoid this is for the priest to be instant in prayer. If he is not, he will lose that touch of the supernatural, without which he has no right to be a priest at all.
Back in 1994 there was no Judas Priest.
The first cut I do is usually between five and 10 minutes shorter then the cut that we release. Anything I think isn't working or might not work, I don't even put it in the director's cut. And usually it's the studio suggesting I put stuff back in, as opposed to studios saying, "You got to lose 40 minutes," they are always saying, "You've got to gain five minutes."
I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.
I still do lots of gigs where I'm the support act and people are chatting through my set, but I've got better at grabbing attention. I mean, my parents would play on bills with people like Judas Priest and get booed all the way through. But they stuck it out, got tough.
Shortly after that, we got management problems over in England, and Judas Priest asked me to join.
I was mostly influenced by bands like Black Sabbath and Judas Priest - Metallica's 'Kill 'Em All' was also a hell of an inspiration.
a little of the ready reliance on the expert comes from the desire to waive responsibillity, comes from the endless evasion of life instead of an honest facing of it. The expert is to many what the priest is, someone who knows absolutely and can tell us what to do. The king, the priest, the expert, have one after the other had our allegiance, but so far as we put any of them in the place of ourselves, we have not a sound society and neither individual nor general progress.
The priest is not and must not be a civil servant of the Church. Above all the priest is a man who lives for the spirit for God. This being the case the Seminary is the place where he learns 'to be with Him.'
But this is what I want to do, and it is what I will continue doing until Judas Priest finishes, which, at the moment, I can't see that yet. It could be three years or five years, who knows?
I do not see why the schoolmaster should be taxed to support the priest, and not the priest the schoolmaster.
This site uses cookies to ensure you get the best experience. More info...
Got it!