A Quote by Richie Furay

When we started Poco, we were too country for rock, and we were too rock for country. — © Richie Furay
When we started Poco, we were too country for rock, and we were too rock for country.
Poco was the forerunners of country rock, but didn't really have the success. By the time the Eagles were out, people were ready for it.
In the late '70s, I was falling into the middle lane. I was way too country to be rock, and way too rock to be a country act.
When The Byrds started country-rock, we had no idea there would be such a thing. We were just trying to honor the music. We started listening to country radio. We went to Nudie's and got cowboy clothes.
It was the early days of Rock 'n' Roll in this country. We were all struggling to learn music, it might be Country, Jazz, Classical, Blues or even Rock 'n' Roll.
I don't know that my voice ever makes sense anywhere, necessarily. I would sing bluegrass music, and I don't fit in there; I would sing rock music, and I'm probably a little too hillbilly for that. And country, I'm too much rock n' roll for there sometimes.
You tend to put your rock stars on pedestals - they seem like they've been there for time immemorial. But you realize that the rock stars have their own rock stars. They were fans and kids once, too.
... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there
When I first came out, country wouldn't touch me because I was way too rock, and rock wouldn't touch me because I was definitely country.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
Over the years I've worked in everything from R&B, pop, country to rock 'n' roll to heavy rock, alternative... if there's one thing that my manager tells me off for, it's that I am a little too eclectic, that I have trouble focusing.
Country sure has changed in the last 10 years. It was one thing, then it was another. Country has slowly marched toward a rock beat and rock preservation. Country artists of today. Man! That's how I used to sound in the '80s.
People are asking us, 'Why have you gone country?' And we say, 'Man, we were born country.' They gave us the tag 'Southern rock' years ago as a way of not saying country.
God looked down on this country because this country was founded on the rock and that rock was our Lord and Savior Jesus Christ. And when the storms came and the rains came, the rock, it did not move. But over the last 15 or 20 years, something began to erode.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I love country and rock, and I wanted to fuse them together. But I also knew that there were certain elements that needed to still be there to be both country and cater to my old fans.
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