A Quote by Richie Sambora

I'm all for sharing music, but when people can download a whole record and pay nothing for it and then they share it with 100,000 other people, it's breaking down the whole business.
Music for me is something I prefer to keep away form the whole business part of my life. I feel like everything I do, in a way, has some sort of business around it. So with my music I can have my privacy. If people don't have to pay for it then I think they can be a little more open to new ideas.
The energy that comes when you compel people to dance stays with you your whole career - whether you are playing to 100,000 people at Glastonbury or 1,000 kids in a club.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.
The music business has made a 360. It's a whole 'nother game. It's not nearly what it was. And I fear for it, because, you know, with the advent of the computer and online and downloading and all these things, they have destroyed - that stuff has destroyed the record business, not the music business, but the record business. The music business is well, and it's alive and thriving. Now, I hope something happens to turn it back around to the point whereas it's - you're earning a living from writing your songs, from your work, you know, because it's not like that anymore.
People will download the music for free and they'll pay for it if they want to give you a compliment. They don't have to pay for it. And the only way the artist can make money was by touring 'cause the record label didn't take that money. Unfortunately now, cause the record company's not making money from the downloads, now they want to take money away from everything.
Between the record companies being the way they are and the fact that people can just download one song instead of buying a whole album, it's hard to make a good living nowadays.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
I type my sermon notes into my BlackBerry, then I upload my sermon notes to my blog, my Facebook page and some of the information to my Twitter account. That's 100,000 people I'm sharing the Gospel with by the virtue of typing it into my BlackBerry as opposed to writing it down. That is being efficient with my time.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
Fanzines are very important for sharing stuff that you're in to, with the readers and listeners. We met through the love of discovering music and it makes sense, to want to share that music with other people.
The difference between me and other people in my generation is instead of saying the Internet's killing the record business, I say, 'Who cares about the record business, the Internet is enhancing music.'
The difference between me and other people in my generation is instead of saying the Internet's killing the record business, I say, 'Who cares about the record business, the Internet is enhancing music.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
Mali is a very social society. We share everything. I think sharing our resources in music forces us to collaborate more, play with other people more, share ideas more.
People think that it's their sovereign right to download music and not have to pay for it.
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