A Quote by Richie Sambora

When you're sick on the road, it's the worst. That's when you become the most vulnerable and neurotic. You become scared. If I had a cold or a chest infection, and I had to sing all those high parts, there was stage fright.
I feel very vulnerable when it has to do with family. Having lost my mom, who I was so extremely close to, now I feel so vulnerable when somebody gets sick or hurt. I become a complete wreck until they're well. Even if it's a cold! I compare myself to Marlin in Finding Nemo.
Those 40 or 50 national correspondents who had followed Kennedy since the beginning of his electoral exertions into the November days had become more than a press corps - they had become his friends and, some of them, his most devoted admirers.
To become a villain, you had to have become disillusioned, and in order to become disillusioned you had to have been passionate about something you believed in that was shaken and ripped from your grasp as a protagonist in that stage of your life, leaving you disillusioned with God, if you will.
Actually, I failed drama in high school because of nerves. I wasn't able to memorize the words. I had complete stage fright.
When I perform on stage I become those male bullies, those dominators from my childhood. That's probably why it's so scary, because they scared me.
Actually, I failed drama in high school because of nerves. I wasnt able to memorize the words. I had complete stage fright.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
With stand-up you can just be yourself on stage. And ideally, you can't see the crowd most of the time - it's just lights in your face. But I still have had terrible stage fright.
Alan: "I had terrible stage fright." Sin: "I'm not familiar with the concept of 'stage fright.'" A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know." S: "Why, Alan, I had no idea your tastes ran that way." A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
I had serious performance stage fright. I kept my singing to the confines of my shower and car, while doing the dishes, and in my basement, but I would burst out crying if anyone asked me to sing.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
To find Margo Roth Spiegelman, you must become Margo Roth Spiegelman. And I had done many of the things she might have done: I had engineered a most unlikely prom coupling. I had quieted the hounds of caste warfare. I had come to feel comfortable inside the rat-infested haunted house where she did her best thinking. I had seen. I had listened. But I could not yet become the wounded person.
You hit road blocks in life, but I'm living proof that you can overcome those road blocks and become what you want to become.
On stage, it's very naked. There's a reason you shake your knees. You're very vulnerable, cos it's just you, your body is the instrument. But I always had confidence in my voice, if I had the right song, the right words to sing.
Once, and only once, I walked on stage and my mind went utterly blank! I had no idea why I was there! My fellow actors had to rescue me. I was very young and new to the business, so I'm glad it didn't give me stage fright for the rest of my life!
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