A Quote by Rick Astley
When I was a tiny tot, we only had one record player in the house, so there was either Genesis on it or the Jungle Book or The Beatles as well, and various other things.
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I thought my Beatles LPs sounded pretty good on a record player, but that was before I had heard a CD.
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and we danced around the living room; that started me off on instruments, and I've done nothing else ever since.
We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
That's a terrifying prospect for myself, and I'm sure many other people, as well. We leave TVs on in our house. I listen to my record player, constantly, to just hear music. I'm really intrigued by the idea of solitude. I'm excited about that.
Well the book of Leviticus and Deuteronomy, the law of the jungle and the sea are your only teachers.
When me and my sister were toddlers, it was 'The Jungle Book' literally every day. If it was lunchtime, it was 'Jungle Book' time.
Take away from Genesis the belief that Moses was the author, on which only the strange believe that it is the word of God has stood, and there remains nothing of Genesis but an anonymous book of stories, fables, and traditionary or invented absurdities, or of downright lies.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
It's not "You might as well,"-it's that art was the only option. My last ayahuasca -vision was a very clear vision that I had to go back to the world. I'd been having these extreme jungle-based visions-having my bones cleaned by shaman spirits, being eaten by alligators or consumed by the earth and insects-basically unifying with all things through consumption by jungle creatures. Then my last vision was of getting on a plane and heading back to the West and just dealing with it.
When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
I am in the jungle and I am too fast for you. You have teeth and stripes and things that tear. But I am much too fast… You want my flesh, but you don’t know where the jungle is… Only I know where the jungle is… Only I know… I am a gazelle. I am a gazelle and the jungle is my home.
I'm trying to figure out how to record at home because I have a tiny house and a seven-year-old and my wife also works at home. So I can't work in the house because she's trying to write, so I pitched a tent in the backyard. I'm literally trying to record in the tent.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.
The things that really change the world, according to Chaos theory, are the tiny things. A butterfly flaps its wings in the Amazonian jungle, and subsequently a storm ravages half of Europe.
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