A Quote by Rick Bass
The natural world is the only one we have. To try to not see the natural world - to put on blinders and avoid seeing it - would for me seem like a form of madness. I'm also interested in the way landscape shapes individuals and populations, and from that, cultures.
Related Quotes
Anne Pitkin's poems have such lyrical sweep, such a sensitive eye for the natural world as it touches the human, that reading Winter Arguments is like seeing a landscape or, better, a richly realized painting of a landscape dotted with figures. But that would leave out their music, which would be a loss. This is a wise and graceful book by a well-traveled woman who knows how to confront deep feeling and frame it to make it all the more intense.
There's something when you're always immersed in the natural landscape where it becomes your healer, in a way, at the same time that it also becomes sort of frightening. I guess that's how I see things, in that form of duality.
I just would like to say that over more than a quarter-century as a scientist and a believer, I find absolutely nothing in conflict between agreeing with Richard [Dawkins] in practically all of his conclusions about the natural world, and also saying that I am still able to accept and embrace the possibility that there are answers that science isn't able to provide about the natural world - the questions about why instead of the questions about how. I'm interested in the whys.
I think a natural evolution for me would be to try to transfer over into the film and TV world and start playing different characters. Hopefully, that way, I can keep entertaining my fans that are fans of me, in different avenues and different spotlights. It's a natural evolution.
I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
I try to avoid giving advice. The only advice I will give is to pay attention. I don't mean to the screen in your hand. I'm talking about the natural world. I spent a lot of time educating my children about nature by putting them in nature. I said, "I want you to listen; I want you to look." There's so much technology coming into our lives that takes us away from the natural stuff, so I'm pushing the other way.
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
The world of organisms, of animals and plants, is built up of individuals. I like to think, then, of natural history as the study of life at the level of the individual-of what plants and animals do, how they react to each other and their environment, how they are organized into larger groupings like populations and communities.
...there are special sciences not because of the nature of our epistemic relation to the world, but because of the way the world is put together: not all natural kinds (not all the classes of things and events about which there are important, counterfactual supporting generalizations to make) are, or correspond to, physical natural kinds.
Jesus' healings are not supernatural miracles in a natural world. They are the only truly 'natural' things in a world that is unnatural, demonized and wounded.
She looks like a fairy tale, but yet feels so natural (natural, natural, natural)
This one's a beast, but way to wonderful to be compared to an animal
I have been fortunate enough to see many places of this earth and most certainly a lot of art, but I would be more interested to see more of the natural wonders of the world.
Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.
There is a real world independent of our senses; the laws of nature were not invented by man, but forced on him by the natural world. They are the expression of a natural world order.
Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.
Natural selection is a blind and undirected consequence of the interaction between variation and the environment. Natural selection exists only in the continuous present of the natural world: it has no memory of its previous actions, no plans for the future, or underlying purpose.
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