A Quote by Rick Bass

A novel that features real people is complicated, but in the end, that extra challenge is all for the good. — © Rick Bass
A novel that features real people is complicated, but in the end, that extra challenge is all for the good.
In a novel, if you're any good, you don't just have good people or bad people. You have complicated people. You have real people.
You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.
In real life, things don't all end at the nice same place. To keep the story real, there has to be kind of a ragged edge at the end of a novel.
All women have a complicated relationship to beauty, but as a transgender woman it's a bit more complicated. There's a lot of pressure to appear feminine. When I was younger, I was most insecure about my size, my angular features, my feet, my hands . At the end of the day, it's about being comfortable in your own skin, and being able to walk down the street and not have people question your gender - and, for me, being perceived as a woman.
Obviously, as an actor, when you re playing a real person, it is an extra challenge.
So long as you tell a story that falls within the fairly generous boundaries of the suspense novel, you're free to make the novel as good as you can. You're allowed to challenge the reader. You can experiment with voice and style.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
Real wisdom is simple. Living life rightly does not have to be a complicated challenge.
Extra features were once considered desirable. We now recognize that 'free' features are rarely free. Any increase in generality that does not contribute to reliability, modularity, maintainability, and robustness should be suspected.
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
I'm a real bath addict. I could sit in a bath and soak for days on end, and you'll never see me again. It's my easiest, nicest thing. So if you're giving me something extra to do, an extra step to make bathtime last longer, then I'll do it.
It's easy to remember only the good parts of people if you never see them. Real people are much more complicated.
I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.
A short story collection can be as exciting as a novel. It is a real complete experience, like when you listen to a real good recording, a Beatles record, and there are so many good songs.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
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