A Quote by Rick Bragg

It was a good moment, the kind you would like to press between the pages of a book, or hide in your sock drawer, so you could touch it again. — © Rick Bragg
It was a good moment, the kind you would like to press between the pages of a book, or hide in your sock drawer, so you could touch it again.
I used to comfort myself with the idea of a book with serrated, detachable pages, so that you could read the thing the way it came and then shuffle the pages, like a giant deck of cards, and read the book in an entirely different order. It would be a different book, wouldn't it? It would be one of infinite books.
He told me this while ripping through his duffel bag, throwing clothes into drawers with reckless abandon. Chip did not believe in having a sock drawer or a T-shirt drawer. He believed that all drawers were created equal and filled each with whatever fit. My mother would have died.
When I started, the press credentials said 'No women or children in the press box,' ... There are a lot of things in the workplace that you can attempt to hide, and I could not hide the fact that I was a woman. I was always the only woman in the press box, and they didn't even have ladies rooms.
It wasn't the kind of touch that said, Hey, I've got a plan, so hang in there because we're going to get out of this. It was more like the kind of touch that simply said, You aren't alone. It was really the only thing he could offer. And in that moment, it was enough.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
What would happen if our clothes were Internet-enabled? Can you imagine if you lost a sock? You could send out a search, and sock No. 3117 would respond that it's under the couch in the living room.
In The Last of Her Kind, Sigrid Nunez once again creates characters of such depth and situations of such vivid moral complexity that reading these pages is like living them. Only as I closed the book did I sadly realize that Georgette and Ann weren't my neighbors. But happily I can revisit them again, and again, in this beautiful and absorbing novel.
The only things I read are gossip columns. If I read three pages of a book, I'm out like a light. When I pick up the book again, I've forgotten what I've read and have to start over again. By page three, even if I've just awakened from a nine -hour nap, I fall asleep again. So if anyone gives me a book, it had better have lots of pictures.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
After six years of working on low-budget independent films of the too-weird-to-watch variety, being asked by DreamWorks to come and play with the big boys, it was like finding an unicorn in your sock drawer.
I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
It felt like an indulgence. Going back was painful, but, at the same time, it was nice to live with them again for a few pages. I got to live with my brother again for the entire book. Of course as I'm writing the book, I'm getting closer and closer to the end and I know what that means. I knew exactly where I was heading. It was really difficult, but it was nice to make them come alive for those scenes. It was good.
There are those who say that life is like a book, with chapters for each event in your life and a limited number of pages on which you can spend your time. But I prefer to think that a book is like a life, particularly a good one, which is well to worth staying up all night to finish.
We talk about a free press. These people hide, they make a lot of money off the media. They hide behind the slogans of free press, and then they can come out with crap like that. It's just garbage. It's insulting to the readers.
Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.
If you can make it so that I could touch somebody remotely through a wearable because it has haptic feedback - like, I could give a hug and it would touch you or pinch you - that would be killer.
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