A Quote by Rick Derringer
In the nineties I was doing those Blues Bureau records, but over the past two years, I have really gone back to my Christian roots and have been born again.
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I really like the Nineties! I want to bring back more of the Nineties, like the 'Spice Girls', 'Empire Records', Chloe Sevigny. I don't think anyone really gave it enough credit.
What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
My parents were born and raised in Iowa and my two brothers were born in Iowa before my family moved to California where I was born so I still really feel like I have those Midwestern roots.
I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.
I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
To me, Sabbath was always JUSt a really heavy blues band. That s all we were. We just took those blues roots and made them heavier.
song of elli (old age) "What is plucked will grow again, What is slain lives on, What is stolen will remain What is gone is gone... What is sea-born dies on land, Soft is trod upon. What is given burns the hand - What is gone is gone... Here is there, and high is low; All may be undone. What is true, no two men know - What is gone is gone... Who has choices need not choose. We must, who have none. We can love but what we lose - What is gone is gone.
Rose and I have gone on the most incredible journey over the past two years
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
If Christian people work together, they can succeed during this decade in winning back control of the institutions that have been taken from them over the past 70 years. Expect confrontations that will be not only unpleasant but at times physically bloody. When it is over, I am convinced God's people will emerge victorious.
The blues are the roots and the other musics are the fruits. It's better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues.
I made the big turnaround in the early Nineties when I started hearing all the tenth generation punk bands like Green Day and Offspring and all those people. It just made me fall in love with punk again and remember my roots, and since that time I've always wanted to do more of that kind of music again.
Most of the parts are really gone over and over and over again with Tool. It's a very composed situation. We spend weeks if not months working on all those songs. There's not much room for improvisation.
It's funny, I don't really feel that nostalgic. I only recently started putting up some photos from some of the sessions I've done over the years and some of the Garbage sessions because my daughter, who's 10-years-old, when she was about 6 or 7 she was more curious about what I do. I have all these platinum records and stuff, they've all just been in boxes in storage for years but I started just digging through those things because I sort of want her to be aware of my past. I never really put the old recordings on and listen to them and go, "Oh that sounds great."
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