A Quote by Rick Harrison
In my store, I don't do anything political. There are no signs up, and I'm not pushing anyone.
Related Quotes
Years ago, I was asked to come up to do a store signing in Vermont. The short version is the two younger guys who own the store pick me up at the airport and start driving me around Vermont, showing me the sights and the textile mills and the restaurants, and the punchline is there's no store. There is no store!
Putting something in a movie because it's in the news doesn't make it political to me. If you're not going outside the same old, same old, if you're not pushing the envelope, then you're not doing anything. A good movie is a political thing.
There is great potential and deep fragility [in Malaysia] that can be used by any group that stresses on religion, pushing towards Islam, rejecting people and alienating migrants - anything can be used to win the next elections. So these are the signs of fragility that is very much there.
Politics colours everything, and anyone who wants change is necessarily political. As an environmental campaigner more or less since I left school in the early '90s, I have always been involved in lobbying, campaigning and pushing for changes.
When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.
I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own . . .
As I think about anyone or anything -- whether history or literature or my father or political organizations or a poem or a film -- as I seek to evaluate the potentiality, the life-supportive commitment and possibilities of anyone or any thing, the decisive question is always where is the love?
When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
I prefer to create friction. Because if you're not pushing buttons, you're just making something pleasant; it's probably been done before, and it's not making anyone feel anything.
The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
If I'm, like, in a grocery store, I don't get recognized that much, but it's like, you know, when someone comes up to me and says, 'Hey, I'm a big 'Pushing Daisies' fan,' you just feel like, 'Oh, wow - you're the one who watched it. So nice to meet you.'
Government usually doesn't work. It doesn't work because it is political. People who are wise, good, smart, skillful, or hardworking don't need politics, they have jobs. The difference between the political process and an honest life is the difference between parading around waving picket signs while hollering catcalls in front of the White House and getting up in the morning to go make a living.
Our public schools are an area where I will be rolling up my sleeves and spending a lot of my time, pushing for political will.
You look around, and you think, 'Given the chance, if we can get away with it, people are going to be nasty to each other. They're going to pull up the draw bridge; they're going to draw up the ladder and try to live in this little bubble without giving anything to anyone else - without even receiving anything from anyone else.'
The signs that presage growth, so similar, it seems to me, to those in early adolescence: discontent, restlessness, doubt, despair, longing, are interpreted falsely as signs of decay. In youth one does not as often misinterpret the signs; one accepts them, quite rightly, as growing pains. One takes them seriously, listens to them, follows where they lead. ... But in the middle age, because of the false assumption that it is a period of decline, one interprets these life-signs, paradoxically, as signs of approaching death.
Harry Kane shows every season his importance. You can't say anything else but the fact that he's such an important player, a captain, a leader and a player who is pushing all the time, pushing the team to get higher.
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