A Quote by Rick Hoffman

We all know how a lot of actors out there are not exactly the kindest. — © Rick Hoffman
We all know how a lot of actors out there are not exactly the kindest.
The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.
Who are the people, for example, to whom you go for advice? Not to the hard, practical ones who can tell you exactly what to do, but to the listeners; that is, the kindest, least censorious, least bossy people you know. It is because by pouring out your problem to them, you then know what to do about it yourself.
It's a lot of fun to be a part of films that you don't exactly know how they're going to turn out.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
There's a lot of actors out there or people who want to be actors. It's unique to find somebody that, you know, needs to be an actor.
I know a lot of actors who started out as musicians and have very successful careers as actors, but most people don't know them as musicians.
A lot of the times the first take was the best, because the actors are not analyzing themselves as much; they just do it. I believe in happy accidents and I'm not necessarily into actors getting the dialogue exactly as I wrote it; I'm much more into them understanding the motivations and have it come out in a natural way, and maybe catch something that I didn't expect.
Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
A lot of times, directors don't know how to speak to actors, or writers don't know how to communicate.
Working with actors who are directors is magnificent. Because they understand the art form intimately, and they know exactly how everything works.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
Actors may know how to act, but a lot of them don't know how to behave.
You know, you say ‘not exactly’ a lot. You’re not exactly a vampire. You’re not exactly from Scotland, and you’re allergic to daylight. What else? (Sunshine) I hate bran muffins and grass. (Talon)
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
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