A Quote by Rick James
KISS hammered home the importance of high drama...I decided to design my show with the same goal; I wanted my fans to remember my show for the rest of their lives.
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I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.
Original 'Dallas' fans, please come back, because it's the same show 20 years later - same drama.
I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.
Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I felt my design point of view was more welcomed in New York, that I could show my collections in the way I wanted to show them.
'Confederate,' in all of our minds, will be an alternative-history show. It's a science-fiction show. One of the strengths of science fiction is that it can show us how this history is still with us in a way no strictly realistic drama ever could, whether it were a historical drama or a contemporary drama.
There are no fans more rabid or devoted than KISS fans. KISS fans are what all other fans are measured against. That's how it came to be known as the KISS Army.
Our fans wanted us to be together way before we even realised that we had feelings for each other. Our fans helped us win a dance reality show, and so we decided to share our love with those who have made us who we are.
When I came to the Food Network, I didn't want to do a cooking show. I told Kathleen Finch for nine months I didn't want to do a cooking show, I wanted to do a home-and-garden show.
I am guided by the vision of what I believe this show can be. Originally our goal was to uplift, enlighten, encourage and entertain through the medium of television. Now, our mission statement for The Oprah Winfrey Show is to use television to transform people's lives, to make viewers see themselves differently and to bring happiness and a sense of fulfillment into every home.
'Down Home with the Neelys' was the highest-rated Food Network show in history. But the crazy part about it was I never wanted to do that show. I never wanted to live my life quite out loud like that.
I wanted 'The South Bank Show' to reflect my own life and that of the team around me; to stretch the accepted boundaries and challenge the accepted hierarchies of the arts; to include pop music as well as classical music, television drama as well as theatre drama, and high-definition performers in comedy.
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