A Quote by Rick James

I'm trying to change the root of funk, trying to make it more progressive, more melodic and more lyrically structured. — © Rick James
I'm trying to change the root of funk, trying to make it more progressive, more melodic and more lyrically structured.
I'm trying to make the box, trying to be more ruthless, more clinical, and trying to decide games.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
I used to edit myself. If something seemed super-simple I had to make it more complicated. Now I'm trying to let what's in there come out and acknowledge where I come from. I'm trying to make it more. ..true.
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
As more and more of our lives become digital, we are fighting a losing battle trying to curb our usage of devices in order to reclaim our emotions. So what I'm trying to do instead is to bring emotions into our technology and make our technologies more responsive.
Mars is really different, into art. Lydia Lunch is more energy. James Chance is more commercial in a different way, in funk and jazz. They were all doing original things, trying to create their own sound and music. I think they're all great.
You're coaching Kentucky - and you have a chance to change lives. That's not what this is up there in the NBA. You have assets. You're trying to piece a team together. You're trying to win more games than the other guy. You're trying to advance in the playoffs, and if you don't, they'll find somebody else that can.
As women, we're trying to be the best mothers and partners and have careers. We're trying to do so much. It's okay to say to other women, 'How do you do this?' Because I honestly don't know. The more we are honest, the more you realize we're all just trying to figure this out.
As you get older you don't want to just do the same thing, otherwise there's not much point. I think it's more or less trying to write things that, perhaps, say more by doing less, or you're always trying to refine things, make things a little simpler, a little more essential.
Going into the second arc, I'm making a conscious effort to do something I say I never do, which is to change my style because of feedback. I'm trying to make 'Pretty Deadly' more accessible by being more clear in the writing.
I'm more interested in melodic things. I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.
Trying to change the world is like trying to straighten the curly tail of a dog. Try as you might, it will still go hack to its natural curl. Your hands will become stronger from the exercise of trying to straighten the curly tail. Although you max' not he able to change the world, you would have acquired more spiritual strength within - and that alone will make a difference in the world.
If you're trying to diet, what do you do? You grab your two friends and say, 'We're going to the gym; let's do this together.' Money shouldn't be any different. If you're trying to make progress, if you're trying to save more, we really need to be able to get support.
One thing I'm recognizing more and more in myself - and looking to change - is going down more of a self-destructive path when I feel pain. I'm trying to avoid that as much as possible. That is an impulse, when I feel out of control.
It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
If you're asking me what I love, it's that point where I'm just scribbling and trying to make myself laugh and trying to outrage myself. Getting in that frame of mind where the more you laugh the more you laugh - I think that's what I'm attempting to do.
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