A Quote by Rick McCallum

You need somebody to have the idea, you need somebody who can deal with the studio and the normal things, but it's too different of a credit. That credit is usually given to the executive producer. It's not the producer.
I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.
The "executive producer" title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas "producer" is often just a writing credit.
There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.
My very first professional writing credit was on a movie called The Dunwich Horror, and Roger Corman was the executive producer.
I think, in some ways, there's a point as a television writer that 'executive producer' is the natural credit you get, and it can be a vanity title, or you can make of it what you want.
I love Deadmau5 as a producer, as a person. He's super interesting. He's very funny to follow on social media. But as a producer, he gets every single credit I can give him. He's nuts.
Screen credit is valuable only when it's given you. If you're in a position to give yourself credit, you don't need it.
And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.
When you're 23, 24 years old and somebody's given you a credit card and jets and limos and you don't have to pay the bill when it comes in - that's a pretty nice deal.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
I'm not the one to pat myself on the back or even need somebody else to give me credit, but I listen to a lot of Hip Hop now and I hear the Too $hort influence.
I never liked the whole thing about pictures with the artists. You look back at an Elvis Presley record, and you don't see any producer credits, because the audience is not supposed to know about the producer credit.
Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.
At a certain point you have to make a decision in your life about where will you best serve, and I decided that I would best serve as a producer as opposed to a studio executive. There are many upsides to being the studio executive, but one of the downsides is that you get removed from the actual process of making the movie.
A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.
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