A Quote by Rick Moody

I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
I think every first-person narrator in a novel should be compromised. I prefer that word to 'unreliable.'
I think every first-person narrator in a novel should be compromised. I prefer that word to unreliable.
There has certainly been a great deal of work addressing the relationship between naturalism and the first-person perspective. Quite a number of philosophers have suggested that there are features of the first-person perspective that naturalism just cannot accommodate, whether it be qualitative character, or consciousness, or simply the ability we have to think of ourselves in a distinctively first-person manner.
If a person calls themself 'autistic' and you tell them they have to use 'person first language'... you're not putting the person first.
Often, what I tell a new CEO asking for advice, or one of my own new leaders, is the two most important decisions that your team is going to watch is the first person you hire and the first person you promote - because you are saying that's the type of person I want.
Sometimes I can better describe a person by another person's reaction. In a story in my first book, I couldn't think of a way to sufficiently describe the charisma of a certain boy, so the narrator says, "I knew girls who saved his gum."
I was too shy, I think, to sing publicly. It takes a particular kind of person. And when I was young, I was not that person. In the first instance, when a record company said to me, do you want to try and make your record, my first reaction was, no, I'm not worthy - I couldn't possibly, and so on and so forth.
With repeated listenings, a piece eventually becomes its own being. I very often say to students that this is like meeting a person for the first time. When you first meet someone, you reference that person with others who are similar; but, as you get to know that person better, you begin to understand his unique qualities.
I think you first have to feel 100% comfortable with the person that you are with. I have written in sessions where I am just meeting the person for the first time and it is extremely difficult.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
A perfect date is probably something somewhere where you can kind of communicate and talk to the person. I don't like movies as first date. I don't think that's a good idea because you don't really get to talk to the person. I think taking a walk or just having one on one time with that person is the best.
If I have to change my religious beliefs, I would not marry the person that I love because the first person that I love is God, who created me. And I have my faith and my principles and this is what makes me who I am. And if that person loves me, he should love my God too.
As a leader, the first person I need to lead is me. The first person that I should try to change is me.
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