A Quote by Rick Moody
When prose gets too stylized and out of control - and Stein is sometimes a good example - when you don't know what the hell is going on, then it's kind of boring.
Related Quotes
Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.
Sometimes it gets boring. No justice is supposed to say that. But, you know, there's drudgery in every job you're going to do.
It was kind of fun to make 'Cloudy,' which has such a stylized look, and then do 'LEGO,' which, while it's stylized, is also photo-real.
The more you know the better it gets. The more politics there is, the more you understand. Sometimes the races are terribly boring but what's going on off the track is great. And then it makes the race much more interesting.
The comedy for the Democrats is that they're showing off too much. They need to be putting a boring white guy out there to kind of get a hold of things. Once the boring white guy is out there, then you bust out the junior senator from Illinois who smokes and does cocaine.
I don't like anything that's too confining. I'm sort of a control freak, so anything that makes me feel like I'm out of control is a bit uncomfortable. But you know how it is, sometimes it's good to live a little!
Government is like fire. If it is kept within bounds and under the control of the people, it contributes to the welfare of all. But if it gets out of place, if it gets too big and out of control, it destroys the happiness and even the lives of the people.
Sometimes you look at me and it's like all the bullshit gets stripped off and I'm left with what's underneath and I kind of like what I see. Someone who actually fails. Someone who has absolutely no self-control. Someone who says real dickhead things like 'this is complicated.' I like that part of me, you know. I like the fact that I know I can't control you or how I feel about you and that doesn't freak me out.
People are going to think and take things how they're going to take it, and I have no control over that, so it's kind of like biding time until you get your feedback. So, it's like, once the public can consume what you're putting out there, then you know. Then you know hit, miss, in between.
When I go out, I kind of put a hat on and glasses, so I'm kind of just like a photographer going around taking pictures, and people hopefully don't recognize me. But sometimes they do, and then I'll do a photo for them, too.
Tragedies are all right for a while: you are concerned, you are curious, you feel good. And then it gets repetitive, it doesn't advance, it grows dreadfully boring: it is so very boring, even for me.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
Comedy, sometimes if you think about it too much then it becomes a bit boring. If you start thinking about striking the right balance sometimes it takes the spontaneity out of it.
You know what? It's a great conversation starter, right? You meet friends that way. Sometimes it's a good thing. And then other times, I guess, the person is just a little too... then you kind of like want to back away. It depends on the person, you know?
Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
I don't have a philosophy. If I had a philosophy, it's that I'm kind of literal minded. For example, I would never translate poetry - it's too hard, there are too many levels. Not that prose doesn't have many levels, but it's more grounded.
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