A Quote by Rick Moranis
Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.
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I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
I always loved rock guitar. I just never put it together that that's what I'd end up doing. I had no aspirations to be a musician, but I picked up a guitar for two seconds and haven't put it down since.
When I was about 15, I picked up the guitar and learned how to play by going through Beatles chords books. I got this Christmas gift with the entire Beatles catalog.
I was really into music. I started playing guitar also when I was nine. I wanted to be in the Beatles, even though John Lennon died the year I got a guitar and the Beatles broke up before I was born.
I picked Dad's guitar up when I was 8. It hurt to play, so I put it down and picked it back up when I was 15 and dug in. The guitar helped me come out of my shell and kind of gave me an identity at school.
In high school, I got into folk music, and I taught myself guitar. And when The Beatles came out, I got an electric guitar.
The guitar is a means of expressing music, When you get into the emotional side of it, then it's not the guitar that matters so much as the music itself. But the guitar is the vehicle I use. It's how I express myself. As for the emotional side, music takes up where language leaves off. To try and verbalize what music says, emotionally and spiritually, is futile. Let me put it this way, Louis Armstrong once said if you've got to ask, you'll never know.
I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
I was writing songs, I guess, a sense of lyricism before I started picking up the guitar. Once I picked up the guitar, I felt I started expressing myself in that medium without words.
It was amazing for me growing up in the musical decade of the '60s. I saw The Beatles on television and went out and bought an electric guitar.
I picked up the guitar at 11, but even before then, I was writing songs on the organ.
We've got an electric organ, a sax, drums, guitar and bass guitar. We sound less like the Beatles than most of the groups.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
I got a toy guitar at a fundraiser and was trying to write songs with it that were ridiculous. After a week, my parents bought me a real acoustic guitar, and I started taking guitar lessons.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
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