A Quote by Rick Nielsen

We played with Rush somewhere way early in our career. — © Rick Nielsen
We played with Rush somewhere way early in our career.
My early career was a real rush of movies and stardom - it was almost overwhelming.
Our early days - our audiences were always very sparse. We played very obscure places in very obscure parts of the world, mainly Kansas. We played frat parties, we played high school proms, we played clubs.
I was in a party band in the early '80s, and we played Sabbath and Ozzy songs as well as Rush and Van Halen... all that kinds of stuff.
Early in my career, I played with a guy in Mike Rucker who was a threat on the other side.
I was familiar with the Heat and their culture because I played with Dexter Pittman and he was here early in his career.
I used to dye my hair different colors and have crazy periods, especially early in my career when I played in Italy.
In drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.
The career I chose was a drama major in college, at Yale, when I played a 90-year-old woman. One of my most celebrated roles. Then I played a really fat person. I played a lot of different things. That's how I thought I loved to wrangle my talent, my need to express myself. I like to do it that way.
When I was young and didn't have money, I liked gambling because winning and losing was fun for the rush of it. The amount of money that I would have to put down now to get that rush, there is no f'ing way I'm going to do it. It's just stupid. I would rather get that rush some other way.
In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
I'm not in any rush to get anywhere. There's a pressure on actors to get somewhere before it's over. But everyone wants longevity, don't they? It's a career. Why be that flash-in-the-pan, taking every job out of worry it'll soon be over?
It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.
I come from somewhere and from specific black people in the South, including my parents, who built our first school, and rebuilt it after it was burned to the ground. And they used to bake pies and cakes to raise money to keep it going. So, I learned to struggle from a very early way in a way that was truly indigenous to the South.
During my early days as a sportsman and early career as a policeman, things were tight. In athletics I competed as an amateur and, although I might have received some expenses, very little came my way in earnings.
I'm really lucky. I never really felt like LA was the Mecca, that you "made it" if you made it somewhere else. I've been a journeyman actor for my whole career. I just sort of went where I was invited. I worked the early part of my career in Canada before I had the luxury of doing an American series, which brought me down to LA.
California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
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