A Quote by Rick Nielsen
Duane Eddy is somebody I wanted to play like. I discovered him before The Beatles, and he totally got to me. He sent me a note back in 1977 and said that he really liked what Cheap Trick were doing. That's one of those 'Wow!' moments, you know?
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I think I sent one [book] to Brian Eno. I don't know how I got to know his address, but I sent one to him. He called me up and he said, "I really like the book, and I'm starting a new label, would you liked to do something?" It was a tricky situation for me, because I've always had this thing in my life of a tension between collaboration, which was extremely important to me, and then being alone. Make of that what you will!
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
[John Coltrane] liked my qualities as a person and that's the reason why he let me play with him. It wasn't what I was doing musically or my instrument or anything like that. He let me play whatever I wanted to play.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
A few days back someone sent me two feathers. Two bird's feathers in a sheet of note-paper with a coronet, and fastened with a seal. Sent from a place a long way off; from one who need not have sent them back at all. That amused me too, those devilish green feathers.
Somebody asked me what I wanted to do. I just said I wanted to…just to give back to it what it’s given me. And to meet all the other people that are doing it…just to be in the world, really.
I've always wanted to be a rebel. I've never wanted to do what everybody else is doing. Man, I've got news for you, that is what I am really doing now, and it's the coolest thing ever. I got to know the person of Christ. I see him as one of the greatest rebels of all time. That's what really appeals to me. It's hope. It's victory.
When I started coming on the scene, just really new into NXT, and people started seeing me, I got a lot of positive feedback from my friends, my friends back home. They were like, 'Oh, you are doing such great things for young girls,' and then it clicked in my head, like, 'Wow! I didn't know that was something I could do here.'
I remember when I discovered The Beatles with music and The Beatles peaked before I was born and when I discovered them I felt really special.
When I got signed to the 'Fader' Label, they got really excited about having me as their new artist. They were promoting my music everywhere. Pharrell was one of the producers who wanted to work with me, so I was really lucky to be one of those people who got to work with him.
Many years ago I sent an old, beloved jacket to a cleaner, the Sycamore Cleaners. It was a leather jacket covered in Guinness and blood and marmalade, one of those jobs... and it came back with a little note pinned to it, and on the note it said, 'It distresses us to return work which is not perfect.' So that will do for me. That can go on my tombstone.
When I was a sophomore, a friend asked me to go to a local acting seminar with him. Two guys were very interested in me and wanted me to come out to L.A. I wanted to finish high school before doing anything like that. I figured they’d just forget about me, but they kept after me for two years.
I think when I envisioned my documentaries, what I wanted to do when I left, I had no business doing those documentaries. I didn't know what I was doing. I was delving into an arena that I had no experience in, and Netflix paired me up with two documentarians that really executed my vision perfectly. That was great, to see that. All of a sudden I'm at Sundance, and those are premiering. I just thought, "Wow, they were four ideas I pitched one day, and now it's coming to fruition on this scale."
I want to make activism a bigger part of my life, while hopefully maintaining the opportunity to help out causes that I really care about. And being an actor allows me to do that. Shooting a Cisco commercial allows me to do that. I mean, doing all these things allows me to talk about these issues. But don't think there aren't those moments where I'm like, "What am I doing? I have to quit my job and chain myself to a tree." Believe me, I have those moments.
Mr. Crossley suddenly wondered why he was why he was worrying about the note. It was only a joke, after all. He cleared his throat. Everyone looked up hopefully. 'Somebody,' said Mr. Crossley, 'seems to have sent me a Halloween message.' And he read out the note: 'SOMEONE IN THIS CLASS IS A WITCH.' 6B thought this was splendid news. Hands shot up all over the room like a bed of beansprouts. 'It's me, Mr. Crossley!' 'Mr. Crossley, I'm the witch!' 'Can I be the witch, Mr. Crossley?' 'Me, Mr. Crossley, me, me, me!
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