A Quote by Rick Nielsen

I always thought of myself as more of a rhythm player than a big soloist. — © Rick Nielsen
I always thought of myself as more of a rhythm player than a big soloist.
I really consider myself more of a rhythm guitarist than a soloist.
I've never been a big soloist; I just put in what needs to be there. I'm more of a rhythm player who plays lead - or tries to play lead.
A big player coming in can change the dynamics of the dressing room, upset the rhythm of the team and end up doing more harm than good.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
I always told myself I was more than a football player, so every off season, I pushed myself to go outside the box and get a little bit better off the field. I dabbled in many business adventures to gain more real world experience.
I'm a guitar player. Actually, I think of myself as a songwriter/rhythm-guitar player.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
I always just thought of myself as a tennis player.
I always wrote music for my friends, but my focus was on playing piano. I didn't think I'd be quite good enough to be a soloist, but I believed that if I worked hard enough, I could work as a player, a teacher.
I guess I've always had a - not really thought of myself as this big star, big identity in the game.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
He's a big player, and the big players score the big goals and make the big contributions in the big games. That's what determines a great player. That's what Steven Gerrard is.
The relationship in Pantera and with Damageplan is the opposite of the traditional rhythm section. It's me and Dime, not the bass, locking in always. Dime's such a strong rhythm player that we just walk in, and we're good to go. We've been playing together forever, and when he goes somewhere, I instinctively know where he's going.
One of the best things if you are a football player is to see the faces of the kids, when they see you and are dreaming of being like you one day. That's a big responsibility, to be a good image for those kids. A football player is more than just a football player.
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