A Quote by Rick Nielsen
In 1977, I had Paul Rivera hotrod six Fender Deluxes for me. At that time, a lot of studio guys in L.A. were using those - not so much live guys but studio guys. They had terrific tone and great technique, and I was like, 'Well, I like having terrific tone even though I don't have any technique.'
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I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
I take a lot of pride in beating guys like Kyle Dake or David Taylor or these guys who have been basically bred to do this from Day 1. The best camps, the best high schools, the best universities. I never had that. It's not necessary, but I never had any of the frills a lot of those guys had.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
Im just trying to be positive. I like the guys (Im) around. Even though were not at the record Id like to be, even after a loss, guys are mad, but then we have fun and you move on. They look up to me. Ive been around eight years. A lot of these guys were in junior high or high school when I came into the NBA. I see how much of an influence I am off the court. I try to be careful how I approach things on and off the court, because I know these guys are watching.
I see guys like Colin Kaepernick in the NFL. Guys like Marshawn Lynch, they're sitting down; they're making statements. They're standing up for what they believe in, and I think it's terrific.
In the future, I'd like to break more into acting and stuff. I think that pro wrestling is a great springboard, really. You see a lot of guys coming from that world. In a lot of ways, it's like live theater. Guys going out there and performing and having to act on the fly and be their own stuntmen at the same time.
I never had any dates. I never really had any boyfriends. I was the girl who did the guys' homework. I was really crazy about guys but I was always like one of the boys. The guys I always fell in love with were completely inaccessible.
If we're talking about guys who set the tone, you've got to go way back. But if we're talking about guys who made it possible for guys like A.J. Styles, Shawn Michaels kind of opened that door, along with Daniel Bryan.
Guys like Rey Mysterio Jr., Eddie Guerrero, Dean Malenko, guys like that, they've inspired me. They made me want to do this. Those guys were three of the top cruiserweights that you can name.
It's always true, and in all the arts. When one guy's terrific, there will be a lot of other terrific guys around. And this last decade, the '90s, has been a period of very low talent.
When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.
When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.
You always think you're one of those players who will be in one place the whole time, one of those guys they'll never let leave because you play hurt, do what it takes. But it's a different age. A lot of coaches, they like having younger guys.
When I see two guys kissing, I'm like, how come I can't kiss one of those guys? They look like they're having a good time.
There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling.
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