When I picked up guitar, it wasn't like, 'OK, I'm going to be Kenny Chesney.' It was like, 'I want to play a chord,' and then it was like, 'I want to play another one, then play a song, then sing while playing the song.'
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
I get why people want to come see me play guitar, but I still don't understand why people want to interview me.
My whole life is geared to play guitar. I play what I want when I want and I hope the listener gets as much pleasure listening to the music as I get playing it.
You want to play in every game, and you especially don't want to be in the penalty box for five minutes and give the other team a chance to get a power play, and you don't want to hurt anyone on the other team.
I really just want to be an inspiration. I'm a regular guy, that had a dream, that came from a small town, that wanted to play guitar and just liked playing. I want to encourage people.
Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.
I just like playing music and doing it with people that I care about. It doesn't really matter where. It's like, 'Why don't we just play piano in a small bar? Why do we want to make an arena full of people happy?'
Growing up and playing guitar with my dad and stuff like really influenced me. It definitely must've had an impact on why Miley wanted to sing and why I wanted to sing and play guitar as well.
I had my neck hurt for like five years, I could barely move my neck from doing this stunt, I almost died twice doing stunts, it's really dangerous.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
I'm not that fluid when it comes to scales and modes. I just pick up the guitar and play. It's all about exploration: just tune the guitar any way you want and start playing.
I like people that can strap on a guitar and don't sweat the fact that you have to come up with a song in an hour. I want to work with someone who won't feel like they have to play along with Jason Molina. I want them to just have the confidence.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Although I dig my guitar playing, I think it's kind of an obvious situation; I play what I want to play within my own restrictions.