A Quote by Rick Nielsen

I was three years old, and I walked onstage during a performance that my father was a tenor in 'The Barber of Seville.' I walked out onstage, and people started laughing and clapping, and that was it. That was all it took. Laughing and clapping, I still enjoy today.
Seeing all the people smiling and laughing and clapping for me... it's such a wonderful feeling.
Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
[As a kid] I did enjoy making people laugh but I was also attracted to funny people. I'm [still] quite happy to not be the one trying to make other people laugh. I'm happy laughing at someone else. I enjoy laughing and I'll happily be the one just laughing all night if you can make me laugh.
I'm a massive fan of Drake, and we walked right past him. He's too cool to be clapping One Direction though.
Pure entertainment is not an egotistical lady singing boring songs onstage for two hours and people in tuxes clapping whether they like it or not. It's the real performers on the street who can hold people's attention and keep them from walking away.
When I finally decided that my only hope was to go to college, I took an acting class, and once I walked onstage, I just knew I was home.
I walked backstage, standing ovation. Everyone was backstage clapping.
Sam screamed the fun scream, and there it was. Downtown lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. and in that moment, I swear we were infinite.
If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago.
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
My father walked out on us when I was three months old, and my mum, well, she wasn't the driven sort.
Sometimes when I see a bad performance and people still clap... I wonder if they're clapping because they liked what they saw or because they're happy it's over?
That’s really sweet.” He grinned and reached for a plate. “Then I believe my mission is accomplished.” Laughing softly so I didn’t wake up Cage, I walked over and took the plate he was offering to me.
I'm used to being the only black guy. I've seriously walked onstage, looked out in the audience, 15,000 people - and I'm the only one in the place. It's no big deal. My whole career's been like that.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
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