A Quote by Rick Riordan

I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.
Attacking bad books is not only a waste of time but also bad for the character. If I find a book really bad, the only interest I can derive from writing about it has to come from myself, from such display of intelligence, wit and malice as I can contrive. One cannot review a bad book without showing off.
You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
If we're honest, most of us would accept that a bad boss is a little bit like a bad father or a bad husband ... you find that he tends to do more good than harm. He might be a bad boss but at least he's employing someone while he is in fact a boss.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
I would argue that stupidity is born out of bad reading, bad teaching and bad thinking!
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
Bad writing is bad not just because the language is humdrum, but the quality of the observation is so poor.
There are no bad boys. There is only bad environment, bad training, bad example, bad thinking.
My children are 12, 12, 8, and 7, which is bad idea, bad idea, bad idea, bad idea, for mom going inside.
I was a bad student. I liked archaeology actually, I was interested in maybe becoming an archaeologist but I was such a bad student and had such bad grades that I wasn't going to get into any really good college so I fell back on acting.
For the most part, however, Lady in the Water comes across as a movie that's too bad to be good, and not bad enough to be so bad that it's good.
I came out with a book called The True Secret of Writing: Connecting Life with Language. It's a book that describes how writing is a practice and how my teaching is part of that practice. I direct the writing and create books but underneath, there's always the river of practice happening. No good, no bad. Just do it.
Any gun in the hands of a bad man is a bad thing. Any gun in the hands of a decent person is no threat to anybody — except bad people.
If you ever watch me at theatre rehearsals, you will know what a bad actress I am. I am bad... bad... bad... and then, by opening night, it all just falls into place.
My particular demigod is the Sonics point guard Gary Payton, who is one of the most notorious trash-talkers in the National Basketball Association. He's not really bad. He's only pretend bad - I know that - but he allows me to fantasize about being bad.
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