A Quote by Rick Riordan

No doubt Carter would describe the underground city in excruciating detail, with exact measurements of each room, boring history on every statue and hieroglyph, and background notes on the construction of the magical headquarters of the House of Life. I will spare you that pain. It's big. It's full of magic. It's underground. There. Sorted.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
How big can you be if just the underground niggas know you? You can't buy your mom a house when you just an underground celebrity.
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
The underground is not a place but a way of life. You can be underground most anywhere, from the Upper West Side of Manhattan to Hermosa Beach, California.
It is in our interests to let the police and their employers go on believing that the Underground is a conspiracy, because it increases their paranoia and their inability to deal with what is really happening. As long as they look for ringleaders and documents they will miss their mark, which is that proportion of every personality which belongs in the Underground.
So, I play in a band. It's a really underground band. Super underground. Very underground. Like, we don't even actually play.
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
Hippy is an establishment label for a profound, invisible, underground, evolutionary process. For every visible hippy, barefoot, beflowered, beaded, there are a thousand invisible members of the turned-on underground. Persons whose lives are tuned in to their inner vision, who are dropping out of the TV comedy of American Life.
I love the fact that there is now a skate park in almost every city, but it will always have a rebellious/underground edge to it because it is based on individuality.
I like the word 'underground'... 'independent' carries a stigma of whininess. 'Underground' means a good time.
Everybody gets a tag. If you listen to a Velvet Underground record, you don't think, 'Godfathers of Punk.' You just think, 'This sounds great.' The tags are there in order to help try to sell something by giving it a name that's going to stick in somebody's memory. But it doesn't describe it. So 'depressing' isn't a word I would use to describe my music. But there is some sadness in it -- there has to be, so that the happiness in it will matter.
My whole goal in this industry nowadays is to keep doing the underground stuff, but to be able to add vocals that are sexy and underground.
A lot of people, when they first hear about the Underground Railroad, think it really is a subway or a locomotive. When they find out it's not, they feel a little disappointed. So I thought, What if it was a literal underground train network traveling from state to state, with each state it goes through representing a different opportunity or danger?
You know, fans who think we were made for each other and describe it in excruciating detail. You get peculiar things and beautiful things. But either way they're clearly thinking about you, which is nice.
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