A Quote by Rick Riordan

Stacy Schiff is that rare combination: a first-rate historian and a brilliant storyteller. Using a wide range of sources, she spins straw into gold, conjuring the world of Ptolemaic Egypt in full vibrant color, and returning the voice of one of the most powerful, fascinating, and maligned women in history. Cleopatra is impossible to put down.
What dazzles us in Stacy Schiff's Cleopatra are not the alluring mythologies about the evasive queen, but the astonishing if rare historical facts that Schiff has meticulously and lovingly excavated. Schiff offers not just Cleopatra's story but the story of an amazing era, one that has vanished but still affects us, questioning the way we look at myth, history, and ourselves.
I am grateful to Stacy Schiff first of all because she can write a sentence-because she offers us her scholarship with wit, clarity, and grace. Once again, she has done what only the best writers can do: she has made the world new, again.
An epic subject requires a writer of epic skill and scope, and we have a perfect pairing in Cleopatra and Stacy Schiff. Absorbing and illuminating, this new biography will endure.
I'm not an encyclopedia of ancient Egyptian history, but women did hold positions of status in ancient Egypt. Obviously, famously, people like Nefertiti and Cleopatra actually ruled, which we don't often think about women having a lot of agency in the ancient world, but in ancient Egypt, they did.
Language of the Gun shows why Bernard Harcourt has earned a reputation as one of our most provocative and informative analysts of the administration of criminal justice. Thoroughly interdisciplinary, he brings to bear on his subject a remarkably wide range of sources. Most striking are his probing interviews with at-risk youths which provide a fascinating and rare glimpse into how they think about guns and gun carrying. This book bristles with insight and information.
Time hates love, wants love poor,/but love spins gold, gold, gold from straw.
There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)
What's not fascinating about 'Wonder Woman?' She's powerful. She's strong. She gets her strength from other women. She kicks butt in the world. You know, she's bulletproof, which is appealing. But she also has the Lasso of Truth. That's the thing I would want most, that Lasso of Truth. Because in politics, it would be very handy.
Great historians can make the discovery of the real story more exciting than the romantic myth. Stacy Schiff, a great historian as well as a wonderful writer, peels away the layers to reveal the true Cleopatraa much more interesting woman than the Hollywood version and, as it turns out, a formidable queen after all.
I have had much pleasure in working with Orphei Drängar during my time as chief conductor of the Gothenburg Symphony Orchestra, and I consider OD to be one of the most brilliant men´s choirs in the world. The singers are highly professional and their repertoire is of a very wide range, but then they have been trained for years by Eric Ericson, the world´s leading choir conductor. I also admire the strength and the beauty of their voices. OD is an extraordinary powerful choir!
If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range.
I never feel like I am "using" a voice, rather I am listening to a voice and recording it as faithfully as it comes to me and as I can. I think that the female sex is much maligned, even in our supposedly sexually "open" society. It is the site of a woman's pleasure, and the source of (most) children's entry into the world, and an ancient symbol of power and fecundity, and we are directly or indirectly told in modern times that it's dirty, shameful, ugly, odorous, and to be hidden away.
There is no brilliant single stroke that is going to transform the water into wine or straw into gold.
Even as a woman who has a voice in the world, I struggle to find it, to use it, to keep it, to stretch it, to take risks with my words. And I don't think I'm alone. I think the most powerful women among us struggle with how to use their voice. Because I think what every woman knows, is that when she speaks her truth she is at risk - whether it's Hillary Clinton or a rural woman in Rwanda.
To me, Egypt is a wonderful history, a wonderful people, and it's represented through artists like Om Kalthoum, who is considered the fourth pyramid of Egypt. She's a wonderful diva whose voice, for me, is really Egyptian.
Take a brilliant, creative social scientist, without any respect for conventional wisdom and you get Ellen Langer. She is a fantastic storyteller, and Counterclockwise is a fascinating story about the unexpected ways in which our minds and bodies are connected.
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