A Quote by Rick Riordan
Dude! said a party pony as he unloaded his gear. Did you see that bear guy? He was all like: 'Whoa, I have an arrow in my mouth!
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The world is wrong. You can't put the past behind you. It's buried in you; it's turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you. Who did what to whom on which day? Who said that? She said what? What did he just do? Did she really say that? He said what? What did she do? Did I hear what I think I heard? Did that just come out of my mouth, his mouth, your mouth? Do you remember when you sighed?
I was at a party, and some squiggly looking dude with a bow tie came up and said, 'How'd you like to be on TV?' Turns out he was the programming guy at the Food Network. They had me come into the office, and I did a 'Ready, Set, Cook' with Emeril Lagasse, I believe.
You just witnessed something I've never seen in my entire life. They just called that team (Tennessee) the winner. They said whoa, whoa, whoa, whoa, whoa, whoa, whoa, (whistles) come back here. Then they called us the winner. I'm a tell you right now as an experience, dammit, I'm going to enjoy that one as much as I hate to admit it.
I had to keep myself in check. Like, 'Whoa, whoa, whoa.' I'd never sat in a room, five feet away from a Klansman putting on his damn robe. That's what freaked me out a little bit. But I wanted to see a Klansman.
Whoa," Connor Stoll said. "Back up. Zoom in right there." "What?" Annabeth said nervously. "You see invaders?" "No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?" "Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!" "Sorry," Connor muttered, but he didn't sound very ashamed.
I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by.
Morelli smiled. "It could have been Jenny Ragucci. That makes much more sense. I had good luck with sluts." I looked over at him. All in the past," Morelli said. "I'm a cupcake man now." Whoa, dude," Mooner said. "That's so, like, cosmic.
There's a very devoted fan base that really loved 'T1' and 'T2' and felt burned by 'T3' and 'T4,' so when we said, 'We're going to do it again!' the reaction was, 'Whoa, whoa, whoa - what do you think you're doing?'
There's things that I see that I did on videos when I was younger that I be like, 'Damn, I was bugging.' Champagne Dame, that dude, he was bugging. I don't even know that guy.
We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.
A few years ago I was at a party and this guy threw me over his shoulder, ran across the street, put me in his car, and stuck his tongue in my mouth.
I had a paint pony called Half-Pint, and I rode her in Madison Square Garden, and that was my first big show. But my first real pony was this red pony called Chantal. He was absolutely amazing. He was a great pony, except he did spin me off a couple of times! I would blink, and then I would be on the floor.
The first five years of my career, I was Inmate #1, Bad Guy #1 and Mean Guy #1. I had a great career going, until somebody told me that I was typecast. I said, "Well, what's typecast?" And they said, "Well, you're always playing the mean Chicano dude with tattoos." I thought about that and I said, "Wait a minute! I am the mean Chicano dude with tattoos, so somebody is getting it right."
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
Say, I was on The Craig Kilbourne Show and the next day I flew to Minneapolis. I was at the airport and a guy came up. He said, 'Dude, I saw you on TV last night.' But he did not say whether or not he thought I was good, he just confirmed that I was on television. So I turned my head away from him for about a minute, then I turned it back. I said, 'Dude, I saw you at the airport about a minute ago. And you were good.'
I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I do hate you and then I see you and I.
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