A Quote by Rick Riordan

I'd love to tell you I had some deep revelation on my way down, that I came to terms with my own mortality, laughed in the face of death, et cetera. The truth? My only thought was: Aaaaggghhhhh!
The first morning after Westley's departure, Buttercup thought she was entitled to do nothing more than sit around moping and feeling sorry for herself. After all, the love of her life had fled, life had no meaning, how could you face the future, et cetera, et cetera.
Deep thinking is attainable only by a man of deep feeling, and all truth is a species of revelation
Meanwhile myself et cetera lay quietly in the deep mud et cetera (dreaming, et cetera, of your smile eyes knees and of your Etcetera.)
some changes happen deep down inside of you. And the truth is, only you know about them. Maybe that's the way it's supposed to be.
I think that any time a person comes face-to-face with their own mortality - close enough to Death that they can smell its breath - they have a choice: 1) Fall to pieces; 2) Reassemble yourself and keep walking.
The woe of mortality makes humans God-like. It is because we know that we must die that we are so busy making life. It is because we are aware of mortality that we preserve the past and create the future. Mortality is ours without asking--but immortality is something we must build ourselves. Immortality is not a mere absence of death; it is defiance and denial of death. It is 'meaningful' only because there is death, that implacable reality which is to be defied.
It’s not enough to be able to lie with a straight face; anybody with enough gall to raise on a busted flush can do that. The first way to lie artistically is to tell the truth — but not all of it. The second way involves telling the truth, too, but is harder: Tell the exact truth and maybe all of it…but tell it so unconvincingly that your listener is sure you are lying.
Therefore, faithful Christian, seek the truth, listen to the truth, learn the truth, love the truth, tell the truth, learn the truth, defend the truth even to death.
I thought if only I had a keen, shapely bone structure to my face or could discuss politics shrewdly or was a famous writer Constantin might find me interesting enough to sleep with. And then I wondered if as soon as he came to like me he would sink into ordinariness, and if as soon as he came to love me I would find fault, the way I did with Buddy Willard and the boys before him.
It was a part of myself that was my enemy; I still had a childish illusion that the flesh on my own bones was somehow unique and precious to the universe, in some obscure corner of my mind I wanted the others to love me and make exceptions for me simply because I felt heat and cold, pain and loneliness as they did. Now this was gone once and for all, and I understood there were no exceptions and on one was invulnerable, we all had to share the same conditions and in the end this was simply mortality, the mortality of things as well as ourselves. After that I didn't expect anybody to love me.
But the fact that some geniuses were laughed at does not imply that all who are laughed at are geniuses. They laughed at Columbus, they laughed at Fulton, they laughed at the Wright Brothers. But they also laughed at Bozo the Clown.
I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.
Deep down we all suspect that something is very wrong with the way we perceive life but we try very, very hard not to notice it. And the way we remain blind to our frightful condition is through an obsessive and pathological denial of being -- as if some dreadful fate would overcome us if we were to face the pure light of truth and lay bare our fearful clinging to illusion.
People are always gonna talk, and to tell you the truth I love it. I love the attention. I do what I do because it puts a smile on my face, and I'm the only one in the world that matters.
Never dreaming, was I, poor Jack Duluoz, that the soul is dead. That from Heaven grace descends . . . No Doctor Pisspot Poorpail to tell me; no example inside my first and only skin. That love is the heritage, and cousin to death. That the only love can only be the first love, the only death the last, the only life within, and the only word . . . choked forever.
Deep love creates deep fear. It looks like death because the I disappears, the you disappears - and it is a sort of death. And when you die, only then do you enter into the divine.
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