A Quote by Rick Riordan

Your uncle," Poseidon sighed, "has always had a flair for dramatic exits. I think he would've done well as the god of theater. — © Rick Riordan
Your uncle," Poseidon sighed, "has always had a flair for dramatic exits. I think he would've done well as the god of theater.
Poseidon raised his eyebrows as they shook hands. “Blowfish, did you say?” "Ah, no. Blofis, actually.” "Oh, I see,” Poseidon said. “A shame. I quite like blowfish. I am Poseidon.” "Poseidon? That’s an interesting name.” "Yes, I like it. I’ve gone by other names, but I do prefer Poseidon.” "Like the god of the sea.” "Very much like that, yes.
I always had a dramatic flair. I'd like to dress up like a cowboy, play make-believe. But I didn't realize acting was something I had to do until I got to college.
I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
I think in any form of acting, you're always well served if you've done theater.
I had always sort of done dramatic things, and I love them; it's my background. But when I think about 'Fresh Meat,' I just think about the cast and the crew that we had... we just had a great time.
I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.
Growing up, I would say, when we were racing go-karts back in the day, it was always our uncle. We were always looking up to our uncle. I mean, he won the Daytona 500, he's a very well-respected man, and we've always looked up to that.
I don't know why we have this flair for having dramatic finishes, but we've definitely had a few through the years.
Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done.
Poseidon grinned. "You're doing well with those new cabins, by the way. I suppose this means I can claim all those other sons and daughters of mine and send you some siblings next summer." "Ha-ha." Poseidon reeled in his empty line. I shifted my feet. "Um, you were kidding, right?" Poseidon gave me one of his inside-joke winks, and I still didn't know whether he was serious or not.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
I see too many men delay their exits with a sickly, slow reluctance to leave the stage. It's bad theater as well as bad living.
Dramatic exits are the last refuge of the infantile personality
For a production that suggests a mysterious dreamscape, I have a particular affection for the Vivian Beaumont Theater. It is the largest dramatic space available in New York City in terms of plays, although musicals have been done there very successfully as well.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
I think we're looking at the next major superstar in golf. Tiger has a flair for the dramatic and one of those smiles that lights up the screen.
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