A Quote by Rick Riordan

Different elevator music was playing since my last visit-that old disco song "Stayin' Alive." A terrifying image flashed through my mind of Apollo in bell-bottom pants and a slinky silk shirt.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
I hate formal stuff. I love looking like a doll and all that stuff and playing dress up, but when I'm home, sweat pants, t-shirt. When I'm in the studio, sweat pants, t-shirt.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
He'd changed since the last summer. Instead of Bermuda shorts and a T-shirt, he wore a button-down shirt, khaki pants, and leather loafers. His sandy hair, which used to be so unruly, was now clipped short. He look like an evil male model, showing off what the fashionable college-age villain was wearing to Harvard this year.
My office is in a building in midtown Chicago. It's an older building, and not in the best of shape, especially since there was that problem with the elevator last year. I don't care what anyone says, that wasn't my fault. when a giant scorpion the size of an Irish wolfhound is tearing its way through the roof of your elevator car, you get real willing to take desperate measures.
After talking to people and meeting them every day, I realize that a song can be written from one perspective with an objective in mind. What is crazy about it is that many different people can take one song a totally different way. That is so cool, since music is a universal thing and a very personal thing.
Too many rockers put on the leather pants and shirt first. But if you write good songs, the pants and shirt will follow.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day.
I mean, we were hearing music all the way through the islands. You know, we, when we visit the islands, of course since the islands have been churches have come down, there's a church every two blocks. And so there's music in all these different denominations. So we said, music's gotta play a big part of this movie [Maona] to really capture the culture.
I like to write music for fun. That's my hustle, my grind, my means of stayin' alive, and it's also my recreation, too.
A lot of times you can write a scene with a specific song in mind, and then you lay it over the image, and it kills it. I can never figure out why certain music works. Some music you listen to and say, "Man, that would be great for a movie." But when you try it, it's horrible, because the music itself is cinematic. The weight of it kills the image.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.
So I think it was a good thing It was a little surreal watching Leo scream 'I'm not going to die today!' with our music playing - that was the last thing on my mind when I wrote the song.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
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