A Quote by Rick Riordan
My problem is never ideas. I've got more than I'll ever have time to write. It's all about how many I can get to, and which ones readers want to see the most.
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I, myself, write to change my life, to make it come out the way I want it to. But other people write for other reasons: to see more closely what it is they are thinking about, what they may be afraid of. Sometimes writers write to solve a problem, to answer their own question. All these reasons are good reasons. And that is the most important thing I'll ever tell you. Maybe it is the most important thing you'll ever hear. Ever.
If anything, my problem is, I'm not a genius, it's just that I can write songs very quick. I have a lot of ideas, let's put it that way - I have too many ideas. And my problem is, I stockpile ideas and I get lazy and I don't finish them, and next thing I know, I'm looking around and I've got a hundred song ideas, but are any of them any good? I don't know.
Becoming a father made me a lot more sentimental than I ever was before. I never cried at movies before I became a parent. I feel music more intensely. I think of my political ideas as ideas about how I want to interact with other human beings as opposed to abstract theories about how the world should be.
The only piece of advice I've ever given anybody is learn to write songs and write as many songs as you can. Because it's never gonna hurt, and when you run into that problem of, 'God, I don't know what I want to say,' or the opposite problem of, 'I know exactly what I want to say, but no one has written it,' then you can just go write it yourself.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I always ask young writers, 'Are you certain you want to be a writer? If you're absolutely sure, then do it.' If you really want to write, writing has to take precedence over everything else, except for taking care of your loved ones. It has to be more important than any possession, more important than fame. We hear about just a few writers who get famous, but most of them don't. It's got to mean more than that.
You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
I turned 25. And I don't feel like... whatever, age is just a number. I still feel very young and excited about life and everything. For the first time ever I began to take a look at life and really value it, and realize that there are so many things that I want to do; travel, I want to see the world. I realized that I want to take more time for myself and take more time to see the world and spend time with friends. That sounds so basic but I never really realized that before.
If you write, good ideas must come welling up into you so that you have something to write. If good ideas do not come at once, or for a long time, do not be troubled at all. Wait for them. Put down little ideas no matter how insignificant they are. But do not feel, any more, guilty about idleness and solitude.
Abraham Maslow taught me, that when you're working with a patient, never let them spend more than a few moments on the problem, because what you think about is what expands, and if they're talking about the problem all the time, when they leave your session, the problem will expand. Get 'em to put their attention on what they intend to create, or on solutions.
I don't want to die for a few pictures. I want to live for every sunrise I can clap my eyes on; I want to see my family get older; I want to see the world try and get a bit more peaceful and understanding, which unfortunately I don't think I'll ever see.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
What I love about the thriller form is that it makes you write a story. You can't get lost in your own genius, which is a dangerous place for writers. You don't want to ever get complacent. If a book starts going too well, I usually know there's a problem. I need to struggle. I need that self-doubt. I need to think it's not the best thing ever.
If you want to see the consequences of ideas, write a story. If you want to see the consequences of belief, write a story in which somebody is acting on the ideas or beliefs that she has.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
I think that were I in the middle of an obsession to write about, say, sudden oak death in California or my grandchildren or time and memory and how they look when you get to be in your sixties, and I thought, "Well, yes but people are dying every day in Baghdad," I wouldn't feel guilty about not writing about Baghdad if I didn't have any good ideas about how to write about it.
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