A Quote by Rick Ross
Look you dead in the face
Now tell me how good does it taste
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When you hit your 40s, you're walking around, and you realize, 'Oh, my God, men don't look at me anymore.' Or sometimes you can feel really good, and then you look in the mirror, and you're like, 'Oh, Jesus, that's my face now!' But I have tell you that something happened and shifted inside of me.
[Good taste] is a nineteenth-century concept. And good taste has never really been defined. The effort of projecting 'good taste' is so studied that it offends me. No, I prefer to negate that. We have to put a period to so-called good taste.
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.
The main thing I look for in a recipe is taste, which is different from caterers and restaurants, who first ask 'How does it look?'
I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.
Heaven has no taste." "Now-" "And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
And looking into the face of ... one dead man we see two dead, the man and the life of the woman who gave him birth; the life she wrought into his life! And looking into his dead face someone asks a woman, what does a woman know about war? What, what, friends in the face of a crime like that, what does man know about war?
Is E.T. out there? Well, I work at the SETI Institute. That's almost my name. SETI: Search for Extraterrestrial Intelligence. In other words, I look for aliens, and when I tell people that at a cocktail party, they usually look at me with a mildly incredulous look on their face. I try to keep my own face somewhat dispassionate.
Learn to look not just with your eyes but with your heart. The truth is that style and taste are all relative. It is not a question whether or not someone has good taste. It is how something feels to the individual…Open your heart and mind to the world, and find the things that connect with you. How else will you know how to design your home?
Look at every path closely and deliberately. Try it as many times as you think necessary. Then ask yourself and yourself alone one question. This question is one that only a very old man asks. My benefactor told me about it once when I was Young. And my blood was too vigorous for me to understand it. Now I do understand it. I will tell you what it is: does this path have a heart? If it does, the path is good. If it doesn't, it is of no use.
It just makes me realize how . . . fleeting life can be. How quickly it all passes by. And it's strange to read something written by someone whose life was really just beginning then but who's dead now."He nodded, looking like he was taking that in. But then he said, "That's kinda deep, Daisy."She laughed, rolled her eyes. "Well, you asked. So if that's too deep for you, tell me about your fish.""Well, they were small and blue and I feel emotional because their lives were really just starting but they're dead now.
How can you tell? That I like books, I mean. The look on your face when you walked in, somehow I doubted you were that impressed by me.
Look!You want to see? See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like? Oh, you women are so inquisitive! Well, are you satisfied? I'm a good-looking fellow, eh?...When a woman has seen me, as you have, she belongs to me.She loves me forever! I am a kind of Don Juan, you know!...Look at me! I am Don Juan Triumphant! -Erik in The Phantom of the Opera
The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.
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