A Quote by Rick Ross

With me being an artist that took over a decade to get on, there's so many different things that I have in common with artists that's struggling to get on. — © Rick Ross
With me being an artist that took over a decade to get on, there's so many different things that I have in common with artists that's struggling to get on.
With my friends in Brooklyn, many of them started out as artists. I saw many of these friends move into late middle age, still struggling without health insurance or a cushion. I saw people who had given up being artists. Being an artist necessitates a compromise or living on the edge.
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
The artists who have inspired me the most in my life are the ones who have really had something to say and stand up for. That, to me, is part of being an artist-having the voice to express things that need to be verbalized and brought to light. Unfortunately, I don't think that's a priority for people, because the few artists who do have the nerve to take a stand for what they believe get shut down in a way.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
In the record business, if you sign an artist that don't really know too much about the business, you can really get over on them in a lot of different ways, so it's a lot of people that don't give artist the game because they're trying to make the most money in the fastest way off their artists.
People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.
I've come over so many obstacles over the years, so now when things get chucked at me, I know that I can get through to the other side with the mindset that I've got.
It took me a couple years to get over the stereotype I was letting myself get caught up on, being a football player trying to start a career in music.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.
I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
Whenever someone says to me, 'Are you for or against Common Core,' the first question I ask is, 'What do you think Common Core is?' You will get a different answer from every single person. You will literally get a different answer.
When I hear the same formula being used over and over, I get bored. Just as huge pop artists have taken inspiration from things that are happening at the moment, I do the same with my music.
The interesting thing with acting, actually, is that you get to be so many different people that you get to do so much research on so many different things that I've learned so much about brain surgery and about astrophysicist-type of things and traveling to amazing parts of the world.
And I think what people in New Jersey have gotten to know about me over the last decade that I've been in public life is what you see is what you get. And I'm no different when I'm sitting with you than I am when I'm at home or anyplace else.
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