A Quote by Rick Ross
When you listen to records like 'Foreclosure,' that's like me sitting in a room by myself just rapping about things that's running across my mind and things that have been bothering me.
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People say bad things about me. I've had people tell me, "You know, Rush, I've been telling people to listen to you and listen to you, and I finally get 'em to do it, and then you say something so offensive, and they look me, 'You listen to this?' And I'm tired of defending you, Rush. Why do you say stupid things?" I know what this is like.
If you listen to 'Electric,' 'Entourage,' and 'Been With A Star,' all those records are records that I dug into the crates for to help me create that feeling of old funk. No one makes records like that anymore.
Old cars have things to say. With an old car, you have to be extra observant about everything. You have to listen and pay attention - to how the engine sounds, where the oil levels are at, if it's running hot, all of that. You've gotta be tuned in, and I like that. New cars, to me they just feel like plain sheets of metal.
A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.
It helps to resign as the controller of your fate. All that energy we expend to keep things running right is not what's keeping things running right. We're bugs struggling in the river, brightly visible to the trout below. With that fact in mind, people like me make up all these rules to give us the illusion that we are in charge. I need to say to myself, they're not needed, hon. Just take in the buggy pleasures. Be kind to the others, grab the fleck of riverweed, notice how beautifully your bug legs scull.
I like writing about what to me are like questions that I have about myself and the human condition. I find quantum physics fascinating, so I like to write about that, and I like things that make me laugh.
I think when I listen to old records, it puts me back in the atmosphere of what it felt like to make the record and who was there and what the room looked like. It's more a sensory memory.
One of the things I like most about Roufusport is, really, the culture. A lot of times, you're training in fight camps and running and hitting mitts and sparring. Those things get old kind of quick. I like the fact that they allow fun into the room.
If you look at me, basically my whole entire life I've been around water. So when you look at a stat like, "If you leave the faucet running for two minutes while you brush your teeth you waste four gallons of water," to me that's mind-blowing. There are so many people that don't even have access to clean water, and people leave their faucets running. For me it was something that fit with things that I believe in.
No movie can change society, but there are things that can be achieved by a film. For example, we are sitting in a room that has a lizard in it but we don't mention it because it is not bothering us. But if I stand up and say there is a lizard in the room, then we will try to deal with it - in whatever way.
Meanwhile it's got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don't see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the cafe has been unattended, for sure. Just how long have they been sitting here, petrified like this?
When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
I see myself as real. Like I mean if I was the President I would have a responsibility, because people put me there. Nobody put me here. They just buy my records. They wouldn't buy my records if my records wasn't good. I'm being who i am in the record.
One of my favorite things is when I get letters and video messages from fans or people who have attended one of my workshops that say things like "because of your workshop, I finally have the confidence to go after my dream/love myself/have the strength not to listen to anyone telling me I can't do the things I really want to do!"
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
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