A Quote by Rick Ross
'Rather You Than Me' just speaks for my natural instinct to survive, but it's also me being a writer, me being a poet - there's also a beautiful side to 'Rather You Than Me.'
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I am not good at first or second impressions, and you have to spend some time with me to know me. Also, I don't want to put my best foot forward and prove something, as that is not me. I would rather be me and have you like me for who I am, instead of being someone else.
My constant fear as a writer as that I will fail to convey the gravity of living. I know that to some degree that sets me up as boorish, but I'll have to live with that, and, honestly, I'd rather err on the side of being "unredeemingly dark," as one reviewer said about blood kin, than on keeping to the sunny side.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
I'd rather an audience like me than dislike me, but I'd rather they disliked me than be apathetic, because that is the kiss of death.
The joy of just being involved in something, of being part of a big process, just as a human being, it's nice to be part of people who are in the same enterprise, heading for the same goal, rather than, 'Oh this is all about me and my role. The story's about me.'
It taught me that Clinton's instinct to make this about your life as a citizen, rather than his as a human being, was the right answer to these things.
I'm inspired by the poets, so I'm always going to give in that direction, rather than in any other. It's the making of me... and also the downfall of me.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
In true friendship, in which I am expert, I give myself to my friend more than I draw him to me. I not only like doing him good better than having him do me good, but also would rather have him do good to himself than to me; he does me most good when he does himself good.
My writing has always been more out of the need to write a movie rather than me being a good writer.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
Empower me to be a bold participant, rather than a timid saint in waiting, in the difficult ordinariness of now; to exercise the authority of honesty, rather than to defer to power, or deceive to get it; to influence someone for justice, rather than impress anyone for gain and, by grace, to find treasures of joy, of friendship, of peace hidden in the fields of the daily you give me to plow.
Many of the women who I've taught to climb have a better sense of balance than the men. I think it has to do with being a little more sensitive to it rather than relying on strenght. It's also a reflection of a passive attitude - balancing your way up the rock, rather than attacking it.
I felt better about myself that I did it [calling Max Askeli Commander Askeli], rather than have - rather than thinking it and not writing it for being afraid of what might happen to me.
Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.
You know, he likes me because I'm his son. I have to go long and far to find someone who knows me just as me, rather than me the songwriter or whatever.
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