A Quote by Rick Ross
Toomp produced 'White House' on my first record, and we made magic.
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Kennedy invited us into the White House-the first time in the history of the White House picketers had been invited inside. This made front page headlines.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Weapons of mass destruction aren't pulled out of a black hat like a white rabbit at a magic show. They're produced in factories. There's science and technology involved. They're not produced in a hole in the ground or in a basement.
I was like a wonder kid at Uptown. The first record I produced sold two million copies - and I'd only produced it because the producer didn't show up.
People still assume the White House Correspondents' Association works for the White House, when in reality, it's a group of journalists who cover the White House. It's a branding thing, but because it has the 'White House' before it, people think they're just King Joffrey's goons.
When the party holds the White House, all the political decisions are made in the White House. And being a party chair, you're just an artifact.
It's part of the strategy to remind people who Hillary Rodham Clinton actually is. If others aren't going to hold her account for her full record, then, yes, we will. And her record includes naming and blaming women who came in contact with her husband, whether it was consensual relationships like Monica Lewinsky, an intern at the White House with him as President, completely debasing the office of the White House - the office of The Presidency - or Jennifer Flowers, 12-year affair while he was Governor of Arkansas.
[Jack Johnson] became a superstar and started his own record label, and then he made and produced my first record, he co-wrote the songs on there, and then he let me open up for him for two years all around the world. And that was like the best start I could've had, the best way I could've started in the music scene.
The first novel I wrote, 'The White House Mess,' was a comic novel. It came out in 1986. It was a parody in the form of a White House memoir.
The first Vampire Weekend record was the first full-length album that I produced.
At the unveiling at the White House of the presidential portrait, President Bush pointed out that Hillary Clinton was the first sitting Senator in history to have her portrait hanging in the White House.
I was given a White House - well, you will have to ask the White House that. But I asked to attend the White House briefing because I was, you know, because I wanted to report on the activities there.
The White House - now shares the same name as the new government center in Moscow. The name originally comes from Egypt. The White and Red Houses of the late first dynasty were departments that officiated for the will of pharaoh. The second most important state building in Egypt was the treasury. It was known as Per Hetch, meaning "White House."
I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
He never has made a living. He went from my grandparents' house to the very regimented military school, back to the house, to my grandfather's company, to the Trump Organization, which I view as a sinecure for him. And then 'The Apprentice,' whatever that was, and the White House.
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