A Quote by Rick Rowley
It's often frustrating when you're a war reporter and you're covering these places that far away. You're frustrated by making stories that people can't connect to in any way. It's hard for Americans to connect to Arabic-speaking Iraqis in refugee camps or Pashto-speaking Afghans in the countryside, and having a character who is a vehicle through which you're allowed to make these relationships really allowed us to gain in an emotional weight that was difficult for us to do any other way to make it all human.
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My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
By nature, human beings search for ways to make sense and meaning out of their lives and their world. One way that we make meaning is through the telling of our stories. Stories connect us, teach us, and warn us never to forget.
MEMRI allows an audience far beyond the Arabic-speaking world to observe the wide variety of Arab voices speaking through the media, schoolbooks, and pulpits to their own people. What one hears is often astonishing, sometimes frightening, and always important. Most importantly, it includes the newly-emerging liberal voices of reform and hope, as well as disturbing echoes of ancient hatreds. Without the valuable research of MEMRI, the non-Arabic speaking world would not have this indispensable window.
The creatives, they want to connect with people. These artists, the clothing designers, they want to connect with people the same way that music gets to connect with people. But the cost of silk is too expensive. And they won't lower their quality levels. So I can spend $2 million on a record and give it out in a democratic way. They could spend all their time making the greatest dress in the world, and it's just impossible to hand-make that many.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
My father raised us like... we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, 'Oh that fat person, or this person,' he would make us put a bar of soap in our mouth and count to 10. We weren't allowed to look at people like that.
My father raised us like … we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, ‘Oh that fat person, or this person,’ he would make us put a bar of soap in our mouth and count to 10. We weren’t allowed to look at people like that.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
Gardening is about communication, relationships, routines and life-enrichment. Gardens are places that connect us to the seasons and the life cycle. They're a vehicle for talking about esoteric and - as far as TV goes - alien topics such as beauty and fulfilment.
Experimental work of great refinement is necessary in order to determine atomic weights. No relationships between them have yet been certainly found which make it possible for us to compute by any sort of calculation exactly the value of any one atomic weight from any other.
A person who can connect with their partner, another human being who can connect with their soul ? it's not just learning steps, it's about expressing something. I've found in dancing all my life that I can release something as a dancer that I can't in any other way.
I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.
You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic. I'm not a realist in that way.
The sacred is not in heaven or far away. It is all around us, and small human rituals can connect us to its presence. And of course the greatest challenge (and gift) is to see the sacred in each other.
There are some superficial things that connect me to the stream. There's instrumentation, there's timbre, use of electronics, the way that samples are used, the way the electric guitar is used. I'm thinking of things that are particular to this era. But I don't always feel particularly close to the music of my peers. I often feel that I have more in common with writers and visual artists. I try to connect to people in an emotional kind of way.
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