A Quote by Rick Santelli
I work hard, and I haven't done badly in life. But I pretty much came from very modest roots... I go home on my train; I cut my own grass... I don't have anything against people that are more elite, but it's just not who I am or what I'm about.
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When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
When I work, I work non-stop and so hard that I barely get time to see anything but the set and home. So whenever I am done with one show, I go into my globetrotter mode and just pick a place and disappear for a while.
I work very hard at relationships. I've done the thing of being home. I worked all day and came home and did all the stuff at home that a woman is supposed to do, the cooking and the entertaining. I'm a perfectionist, and, besides, I loved all those things.
I have no pride about anything I have done. It's just not the way I think about things. I do the work, always, as hard as I can, to the point of pain, injury, exhaustion, if that is what it takes. Once I am done, I move on.
People have the most control over their affairs at the grass-roots level. Anything that can be fairly and efficiently handled at a grass-roots level should be thus handled, and only delegated to a higher authority when necessary.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
When we speak about climate change, you're a victim of something ... which is happening with deep roots where you don't have - anything to deal with. And people just want to choose a life. That's very much important. And I think one of the key elements of the collective battle we have today, in order to fight against climate change is to provide people the ability to choose a life. To have a better life by behaving differently, by innovating, by creating new type of companies and startups, new type of activities.
We have seen too much defeatism, too much pessimism, too much of a negative approach. The answer is simple: if you want something very badly, you can achieve it. It may take patience, very hard work, a real struggle, and a long time; but it can be done. That much faith is a prerequisite of any undertaking.
Right now I am working on something that's pretty important to me. It has to do with my own history in politics. I'd done All the President's Men, and the history of how that came about is a story unto itself. It began with The Candidate. No one knows about that connection. I was on a train, and I was promoting The Candidate going from Jacksonville, Florida, down to Miami to duplicate what candidates in 1972 did.
My world view is that it can all go to hell in an instant, and you have to be ready for it. That's pretty much the central theme running through my work. It's about people's awareness of how uncertain life can be and their trying to guard against that.
It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
I'm no less focused than any of my peers. They live a different life. They go home; they are not pictured at events. I train just as much as them, maybe more.
I would love to just have the work do the talking. We're in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I've completely shot my mouth off, whether it's too much about my private life or being too opinionated about things in the world. I think the better thing to do - I've learned this from people far wiser than me - is to do very good, quiet work behind closed doors.
I'm pretty much a movie-to-movie guy. It's hard for me to multitask so I feel very one-thing-at-a-time oriented and I usually just wait until a movie's done and it's premiered, then just kind of reflect on what I'm interested in my own life and let the movies come to me rather than force them.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
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