A Quote by Rick Smolan

I love the physicality of books. — © Rick Smolan
I love the physicality of books.
Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form.
One of the many things I love about bound books is their sheer physicality. Electronic books live out of sight and out of mind. But printed books have body, presence. Sure, sometimes they'll elude you by hiding in improbable places... But at other times they'll confront you, and you'll literally stumble over some tomes you hadn't thought about in weeks or years. I often seek electronic books, but they never come after me. They may make me feel, but I can't feel them. They are all soul with no flesh, no texture, and no weight. They can get in your head but can't whack you upside it.
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
The three books I've written in Florida about L.A. are my best takes on the physicality of the city, as far as description goes.
Fear of nothingness is fear of a certain physicality, a physicality whose phenomena I cannot predictably demarcate from its reality in advance.
The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
I love physicality. I love movement very much.
If children haven't been read to, they don't love books. They need to love books, for books are the basis of literature, composition, history, world events, vocabulary, and everything else.
I love bookshelves, and stacks of books, spines, typography, and the feel of pages between my fingertips. I love bookmarks, and old bindings, and stars in margins next to beautiful passages. I love exuberant underlinings that recall to me a swoon of language-love from a long-ago reading, something I hoped to remember. I love book plates, and inscriptions in gifts from loved ones, I love author signatures, and I love books sitting around reminding me of them, being present in my life, being. I love books.
I love offensive physicality.
I love the physicality of an offensive lineman.
I love books the way I love nature. ... I can imagine now that a time will come, that it is almost upon us, when no one will love books ... It is no accident, I think, that books and nature (as we know it) may disappear simultaneously from human experience. There is no mind-body split.
I think there's going to be something that happens now, where books move in two directions, one toward digitized formats and one toward remembering what's nice about the physicality of them.
I love playing characters that are strong, when there's physicality involved.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
So the difference between most books about love and Love For No Reason is that traditional love books focus on love as a stream of energy between two people, whereas this book focuses on love as a deep state of being that you can live in no matter what's going on in your life.
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