A Quote by Rick Smolan
How do you photograph a gadget in a new, and not boring, way? You have to get away from people sitting in front of a computer. You have to get a look at the digital signature.
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You don't get inspiration sitting at a drawing board or in front of your computer.
Whether you're walking the catwalk or whether you're in front of the camera, there's no such thing as a signature pose or signature look or even a signature walk.
I try to satisfy the desires that people have to have their books personalized. That's a value, or feature, of bibliophilia that may vanish. How do you get your e-book signed? The idea of people standing in line to get my signature in their book, it's hard to turn them away.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. Thats how you stand out in the crowd.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. That's how you stand out in the crowd.
If there's any advice I have to give, I would say it's that. If you're looking for a way to get closer to your kids, there ain't no better way than to grab 'em and read. And if you put them in front of a computer or a TV, you are abandoning them. You are abandoning them because they are sitting on a couch or a floor and they may be hugging a dog, but they ain't hugging you.
I have a big TV screen and I sit there and watch the Premier League and I get angry sometimes - 'I'm better than that guy sitting there.' Of course, I am joking. But I analyse. I look at it technically, how they play, how they defend, how they attack, why did he change that player? That's the only way I can look at it after all these years.
When ordinary people wake up, elites begin to tremble in their boots. They can't get away with their abuse. They can't get away with subjection. They can't get away with subjugation. They can't get away with exploitation. They can't get away with domination. It takes courage for folk to stand up.
It's good to get away from the editing suite. It's very unhealthy to be sitting in front of the screen for too long.
This is an early digital photograph for me. I started shooting digital some 10 years ago. I had been using Kodachrome for decades, but digital techniques offered me many new possibilities and incredible flexibility. It stimulated creation.
How late is it? How long have we been sitting here? I look at my watch – three thirty and the day is almost ending. It’s October. All those kids recently returned to classrooms with new bags and pencil cases will be looking forward to half term already. How quickly it goes. Halloween soon, then firework night. Christmas. Spring. Easter. Then there’s my birthday in May. I’ll be seventeen. How long can I stave it off? I don’t know. All I know is that I have two choices – stay wrapped in blankets and get on with dying, or get the list back together and get on with living.
How do I get it made? How do I get it seen? How do I get it in front of the people I want to serve?
You can't out-travel sadness. I travel not to get away from my troubles but to see how they look in front of famous buildings
I approached photography the only way that I knew how to approach anything: as a job. I would get up, photograph all morning, stop and have lunch, and then, photograph all afternoon. I didn't think that I had to wait for some inspiration.
It's funny, because I'm so associated with digital art and computer art, and yet I spend so little time in front of the computer.
When we digital artists talk about painting on the computer, that is exactly what we do. The paints we use are pixels, the brush we use is a pressure sensitive pen. The colors are the same as painters use, and how we get to the final image is the same gut wrenching way.
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