A Quote by Rick Wright

I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics. — © Rick Wright
I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.
A lot of my philosophies came from sheet music. 'Some Day My Prince Will Come,' or 'Blue Skies Smiling at Me' - they were very uplifting, wholesome lyrics, and I really believed those words when I sang them.
'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
I was asked by this British band called Kairos 4Tet to write lyrics for them. And I wrote lyrics for them. The album is called 'Everything We Hold,' and you can hear my lyrics.
My mother wrote lyrics and sang but was overtaken by life with four children and worked.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
There were a lot of lyrics that I sang but didn't understand. But I had this facade in performance of looking like I wrote the book.
I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.
I sang opera, I sang show tunes. I got into a rock band for a while. I've sung a lot of different things.
I don't see myself as the boss. I sing and write the songs, and it would feel strange if somebody else wrote the lyrics I sang.
'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
If I want people to connect to my words and my stories, I need to tell them where they came from. Because then, when you break into song, they have kind of a blueprint for why I wrote that song, so they can come to it with something they went through that helps them connect to it.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
Bob Marley was one of my favourite artists. He sang politically conscious lyrics, yet he sang love songs, too.
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