A Quote by Rick Wright
We fought during 'The Wall,' which was an album Waters wrote, based on his family story, we clashed long before that, during the period of the Dark Side and 'Wish You Were Here.' Actually, we never got along.
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I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph?each sentence, even?as I go along.
One day, I got so disgusted that I sat down and wrote a list called 'Justin's list of things to do before he kicks the bucket.' I wrote it for myself and shortened it to 'Justin's Bucket List.' It was there on the wall, not as a story idea but as a motivational tool for myself, which actually ended up working pretty well.
A lotta stuff has been written about me that I never said. Stories that were lies. One guy wrote that young as I was during World War II, I actually got a rifle and fought off the Germans. Which is ridiculous, insane. I was just six.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.
'The Story Of A Marriage' was initially a short story I wrote, and before that, it was a family story. It was a story that a relative of mine told me about herself in the '50s, and it was a story that no one else in my family believes, and it might not be true.
As my father went through a really, really long and dark period of his health declining and falling deeper into the abyss, I knew I was never going to let my family and my children experience this without any long-term care.
I think when I was 7, at school they got us all to write the story of Joseph and his brothers. I got a bit carried away and wrote 12 pages - everybody else wrote a page. The teacher was so impressed by it that she put it up on the wall for parents' evening. I thought, 'Oh, this is something that I really like that I also seem to be quite good at.'
A moment, and its glory was no more. The sun went down beneath the long dark lines of hill and cloud which piled up in the west an airy city, wall heaped on wall, and battlement on battlement; the light was all withdrawn; the shining church turned cold and dark; the stream forgot to smile; the birds were silent; and the gloom of winter dwelt on everything.
Oh, my darling, wish you were here! And my dark soul is happy again, because it does not know how to be anything else for very long, and because the pain is a deep dark sea in which I would drown if I did not sail my little craft steadily over the surface, steadily towards a sun which will never rise.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
I never saw a man fight as Conan fought. He put his back to the courtyard wall, and before they overpowered him the dead men were strewn in heaps thigh-deep about him. But at last they dragged him down, a hundred against one.
Today, shooting wars are won or lost before they start. If they are fought at all, they would be fought principally to confirm which side had won at the outset.
It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't.
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