A Quote by Rick Yancey

In every creepy movie ever made, the barn is the prime nesting ground for the things you don't know you're looking for and always regret finding. — © Rick Yancey
In every creepy movie ever made, the barn is the prime nesting ground for the things you don't know you're looking for and always regret finding.
It's drama, it's a lot of things, but you know it's always about every movie or every TV project ever made is meant to be watched. If people like it and support it, that's what it is all about, really it's sort of the important part about it.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
I stand by every movie that I did. I don't regret any decision I made.
I think you always want to be open to things... it's just the matter of finding something I believe in, finding a character I believe in, and I think that's the way it should always be. I'm looking for things that excite me.
But what's regret anyway? Regret, I am learning these days, is a lot of things. But mostly, it's a slippery seed of longing, of looking back and asking yourself why you didn't know better when the answers were so obvious all along.
Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
I've definitely been spoilt. Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
I wanted to project myself forward to age 80 and say, ‘OK, I’m looking back on my life. I want to minimise the number of regrets I have.’ And I knew that when I was 80, I was not going to regret having tried this. I was not going to regret trying to participate in this thing called the Internet that I thought was going to be a really big deal. I knew that if I failed, I wouldn’t regret that. But I knew the one thing I might regret is not ever having tried. I knew that that would haunt me every day.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
to know a piece of grass, you’ve got to see the ground that grew it. Maybe that’s why I remember every detail of that night, every inch of ground we covered, as I followed Zach to the place that had made him, seeing them both with fresh eyes.
We were never lovers, and we never will be, now. I do not regret that, however. I regret the conversations we never had, the time we did not spend together. I regret that I never told him that he made me happy, when I was in his company. The world was the better for his being in it. These things alone do I now regret: things left unsaid. And he is gone, and I am old.
I hope I can be a filmmaker where every movie will be different, and not make one type of movie. I'm always looking for a character that interests me.
Every time I do a movie like 'Finding Neverland' or 'Chocolat' or 'Shakespeare' in Love,' we deal with the creative process, but there's humor and fun along the way. I always love that kind of movie.
I quit the Knicks so I know what quitting is, I did. I quit. And it's something I regret to this day. I live with it every day and I regret it. And I let my emotions come into it. And I was just emotionally spent. I made a bad decision and I quit.
I quit the Knicks, so I know what quitting is. I did. I quit. And it's something I regret to this day. I live with it every day, and I regret it. And I let my emotions come into it. And I was just emotionally spent. I made a bad decision, and I quit.
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