A Quote by Rick Yancey

I really kill myself on titles, although 'The 5th Wave' seems like an obvious title, doesn't it? You don't know how long that took me. — © Rick Yancey
I really kill myself on titles, although 'The 5th Wave' seems like an obvious title, doesn't it? You don't know how long that took me.
All the times they put tag titles on me, Intercontinental titles on me, or the world title on me, the only time I couldn't defend the title was when I had to forfeit the belt when I quit WCW and retired from wrestling forever.
When I came right out of college I remember someone pulling me aside and telling me how to exactly fit in. How to wear my hair, what clothes I should wear, even how I should talk and wave or not wave or hold my hands. I wish I never had that conversation. It held me back for like two years and it took me a while to learn this myself, but the idea that you are your own brand, and you are your own person.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
The thing is, in the WWE, we have the WWE title, the World title, the United States title, the Intercontinental title, the Divas title, the Tag Team titles. And I feel like, in this business, when Mr. Perfect had that Intercontinental title, that was the belt we saw as the stepping stone to becoming 'the man.' The franchise of the WWE.
As long as it was George Groves in the opposite corner with his world title, the date was irrelevant to me. I was prepared to wait as long as it took to get that fight for the world title.
I'm extremely willful to win, and I respond to challenges. Scoring titles and stuff like that... it sounds, well, I don't care how it sounds - to me, scoring comes easy. It's not a challenge to me to win the scoring title, because I know I can.
Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
When you see a knife, fork and a spoon it seems to me like there are two of them together on one side of a plate, and then there's one on the other. It seems like a couple and a singleton. It seems obvious to me!
For me, that's the most important thing, feel myself happy when I am playing. If I am healthy and I feel myself competitive, I am happy. Then is obvious I would like to win. But I know if I am in finals of important events, the normal thing is I finally win titles.
I've always had mixed feelings. I don't know if it's any better or worse. I do think there's a really boring side of what's going on now - the over-repetitive, oversexualized thing. There's a lot of women that know better, that are really beautiful and sexy, but it's like: We know you can shake your ass in a G-string and wave it around, it's not that risque. It's not dangerous. It's very obvious and boring.
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.'
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.
With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
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