A Quote by Rickey Medlocke

As a young man growing up in that era, I was very influenced by Hendrix and took to a wah wah, and I learned how to really use one effectively as Hendrix did. — © Rickey Medlocke
As a young man growing up in that era, I was very influenced by Hendrix and took to a wah wah, and I learned how to really use one effectively as Hendrix did.
The only problem I've had with my Vox wah is its tendency to move around on the floor. So now it sits on a rubber mat that says in big letters, 'Kirk's Wah-Wah Rug.'
A wah-wah is important as well. I love it; it makes the guitar scream.
There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.
Music really influenced me when I was growing up. I did go through a Jimi Hendrix phase. My hair was naturally quite afro, and I wore low-slung jeans with very high heels. Siouxsie and the Banshees had a lot to answer for. I was in a top hat with peacock feathers and thigh-high black boots. I was 17 -- old enough to know better.
He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.
Miles Davis would have this lineup of all these amazing musicians and one day would just say, 'We're done.' After tons of great records and tickets sold, he said, 'Now I'm going to grow my hair out and play my horn through a wah-wah pedal.' Rather than play it safe, he went on.
Hendrix was a natural genius who played many beautiful styles. Talent as great as his doesn't come through life very frequently. Hendrix was one in a billion.
I grew up in that era of Hendrix and Joplin and The Doors, and the Summer of Love and Haight-Ashbury, and even the Panthers. That was my era; that's what I was into.
Hearing Jimi Hendrix as a little kid and falling in love with everything that he did on guitar rewired my basic nature. To me, that was a normal thing that you should do: you should strive to be as innovative as Hendrix.
I'm pretty sure I was about the only kid in school who knew who Jimi Hendrix even was. Through my older siblings, I was getting turned on to all the great music that was happening at the time, and I really loved Hendrix.
Sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive. And then there's music, and girls, and drugs, and homeless people who've read Pauline Kael, and wah-wah pedals, and English potato chip flavors, and I haven't even read Martin Chuzzlewit yet... There's plenty out there.
I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.
The one area where I'll say that Hendrix is underrated was his ability to use chord melodies. He used different inversions of chords and was able to make a three-piece band sound absolutely huge. From the moment Hendrix and the Experience came on the scene, power trios had their work cut out for them.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
I was very influenced by Eric Clapton and Jimi Hendrix. ...both of whom I had the pleasure of playing with and becoming friends with.
I was very influenced by Eric Clapton and Jimi Hendrix, both of whom I had the pleasure of playing with and becoming friends with.
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