A Quote by Rickey Medlocke

You look around our audiences, and you see the spectrum - old fans and young people. — © Rickey Medlocke
You look around our audiences, and you see the spectrum - old fans and young people.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
You look out in our audiences, you don't see a sea of white-haired people. You see a lot of younger people.
I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated.
Black, white, rural, urban, Democrat, Republican, independent. People who come from both ends of the socio-economic spectrum. Male, female. Young and old alike. This is our Kentucky.
Look at all our old men in pubs. Look at all our young people on drugs.
One should marry only when one is wise enough. Marriage is not for young people. For young people is to fool around. Marriage is for those who have experienced life in many ways, who have seen all the colors, the whole spectrum of it, and are now ready to settle.
Old friend, there are people—young and old—that I like, and people that I do not like. The former are always in short supply. I am turned off by humorless fanaticism, whether it's revolutionary mumbo-jumbo by a young one, or loud lessons from scripture by and old one. We are all comical, touching, slapstick animals, walking on our hind legs, trying to make it a noble journey from womb to tomb, and the people who can't see it all that way bore hell out of me.
If you want to look young and thin, hang around old fat people.
I think it's really important for young audiences to see that you don't have to apologize for being angry when you're angry, and you don't have to apologize for standing up for yourself when people are pushing you around.
If you want to look young and thin on your birthday. Hang around a bunch of old fat people.
I look at a lot of shows. I look at a really broad spectrum; I look at everything from David Lean to Lina Wertmuller. I look at a really unique and very arty spectrum.
My American audiences are pretty mixed. I get all sorts of people, old and young. It's nice.
I like to look at scenarios and see how people interact with each other. That's why I'm an actor because I try to recreate that. Since our daughter joined us the spectrum has widened.
The thing that keeps me going is that I love what I am doing. And I stay young because I don't hang around old people, if you hang around old people you are going to become old!
Our approach is not to look at the successes of other people and try to repeat those successes. We don't look at the success of 'Grand Theft Auto 3' and think that maybe if we create games for older audiences will see a similar success.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
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