A Quote by Rickie Fowler
My first years on tour, I tried to be super professional by considering the yardages to every feature and hazard. Over time my caddie and I noticed I play better when we keep it simple. Think about the distance you want the ball to fly, and only that number.
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I've lost balls in every hazard and on every course I've tried. But when I lose a ball in the ball washer, it's time to take stock.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
After all these years, it's still embarrassing for me to play on the American golf tour. Like the time I asked my caddie for a sand wedge and he came back ten minutes later with a ham on rye.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
I play golf just about every week. I'm playing on the Senior Tour now - super seniors - I'm a super senior.
How do we keep it up? Because that's what we do; we're musicians, and we love to play and make music. And with every album, we get better, and with every tour, we get better.
I think that kind of balance comes with the process of growing together as a band, the Little Dragon. We love to write, we love to create, we love to play live, and I think we love and appreciate what we have together. How that evolves, and how we balance it, is something that's come with time. At the start we were all like, "Tour tour tour. We just want to play. That's all we want to do."
A lot of overdubs from the last couple of records had to do with me being insecure about the way my voice sounds or the way I play guitar. I would want to mask it with extra things, or keep every moment super exciting. With the newest record, I tried my best to back off, and if something wasn't interesting at every moment, or if my voice didn't sound that good, just let it go and accept it.
I want to play the Tour until I'm 46, 47, and then take about three years off, and then go play the Champions Tour when I'm 50. That's the plan, but you never know - it all depends on how good the fishing and hunting is.
Really, you don't want to think about yards after the catch when the ball is in the air. You want to think about catching the ball. And then let the rest play its way out.
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
Keep these concepts in mind: You've failed many times, although you don't remember. You fell down the first time you tried to walk. You almost drowned the first time you tried to swim. Don't worry about failure. My suggestion to each of you: Worry about the chances you miss when you don't even try.
There was a point in my teenage years, when we were starting to play bigger shows and females were running after tour buses and all that, and my mom - and I remember this like it was yesterday - said: 'Look, I want you to know that I couldn't be prouder of you. You are extraordinary. You move people. But it doesn't make you better than them. You still put your pants on the same way as them, one leg at a time every morning.' I thought about learning to jump right into them, just to mess with her. But what she said stuck with me, and I think it's true.
There's only so much that you can control, especially when the game speed is super, super fast, and guys are flying at you, and you're trying to make a play and get rid of the ball.
The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).
With Zeppelin, I tried to play something different every night in my solos. I'd play for 20 minutes but the longest ever was 30 minutes. It's a long time, but whenI was playing it seemed to fly by.
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