A Quote by Rickie Lee Jones
You never know when you're making a memory.
Related Quotes
I think of music as creating a space. I like to put things in that are comforting to me and are nostalgic. To me, that's what sampling does in songs; it's making deeper layers for people who know where it comes from, but also referencing another part of my history and my memory or a memory that I have.
I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.
Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
Memory is corrupted and ruined by a crowd of memories. If I am going to have a true memory, there are a thousand things that must first be forgotten. Memory is not fully itself when it reaches only into the past. A memory that is not alive to the present does not remember the here and now, does not remember its true identity, is not memory at all. He who remembers nothing but facts and past events, and is never brought back into the present, is a victim of amnesia.
There are men you build a future with, Dani. And then there are men that you know, going in, that you're only making a memory with. I know the difference ..Some memories are worth the price. I'll deal with it.
Memory is revisionist, you know. 'The Houston Kid' was based on true things that happened. But I know - from writing a memoir that I've been working on for awhile - that reconstructing memory is revisionism.
My earliest memory is making peach cobbler with my grandmother. A wonderful memory. I grew up in a restaurant family - B.B.Q. restaurant.
The artist’s memory is a dangerous, necessary thing. Never disavow what you see and remember-it’s your brilliant stock-in-trade: remembering, and making something out of it. Artists remember the world as it is, first, because you have to know what it is you’re reinventing; that’s a rule, perhaps the only one: being cognizant of your source material.
You have to be reminded of a basic fact: intelligence belongs to the watching consciousness; memory belongs to the mind. Memory is one thing - memory is not intelligence. But the whole of humanity has been deceived for centuries and told indirectly that the memory is intelligence. Your schools, your colleges, your universities are not trying to find your intelligence; they are trying to find out who is capable of memorizing more. And now we know perfectly well that memory is a mechanical thing. A computer can have memory, but a computer cannot have intelligence.
The problem with memory is that is changes whatever it touches. It is never that accurate. As a result, I end up modifying and revising my own experiences. It's myth making.
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
I'd love a super human memory. My memory has never been good.
I wonder if memory is true, and I know that it cannot be, but that one lives by memory nevertheless and not by truth.
When you get old, it's hard to tell what's memory and what you've kind of created in your head as memory, you know?
One can never be sure whether a very early memory is a real memory or just the recollection of something which you were told happened.
But memory, after a time, dispenses its own emphasis, making a feuilleton of what we once thought most ponderable, laying its wreath on what we never thought to recall.
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