A Quote by Rickie Lee Jones
I like words. Words are places, rooms, distant airs, thin and tropical. They make us feel and imagine we are more than our bodies.
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It's no coincidence that good words make us feel good and that hurtful or angry words make us feel bad. There is a 100 percent correlation between the words we choose and how we feel.
We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.
I can't imagine us saying these things to each other out loud. But even if I can't imagine hearing these words, I can imagine living them. I don't even picture it. Instead I'm in it. How I would feel with him here. That peace. It would be so happy, and it makes me sad because it only exists in words.
Words got in the way. The things we felt the hardest--like what it was like to have a boy touch you as if you were made of light, or what it meant to be the only person in the room who wasn't noticed--weren't sentences; they were knots in the wood of our bodies, places where our blood flowed backward. If you asked me, not that anyone ever did, the only words worth saying were I'm sorry.
But I do enjoy words—some words for their own sake! Words like river, and dawn, and daylight, and time. These words seem much richer than our experiences of the things they represent—
And this is how I know that it's all just words, words, words - that fundamentally, they make no difference... Our relationship, for as long as things were good, and in that moment when they could have been good again, was about the irrelevance of words. You feel what you feel, you act as you act, who in the history of the world has ever been convinced by a well-reasoned argument?
I feel like there are too many words in the world, and I think silence is so much more powerful than the glut of words.
When you pray, remember that you are not praying to a distant God, but to the God that dwells within you. Don't just speak the words; feel what they mean in your life. Don't pray from your lips, but from your heart. Your prayers aren't for God, they are for you, to remind you of the presence of the Holy Spirit within you. When you say "Thy kingdom come, thy will be done," remember that you are loved and protected. God has planned greater things for us than we can imagine. The more we maintain an awareness of God's unchanging love, the safer and more at home we will feel in the world.
So we see, brethren and sisters that the words of Christ can be a personal Liahona for each of us, showing us the way. Let us now be slothful because of the easiness of the way. Let us in faith take the words of Christ into our minds and into our hearts as they are recorded in sacred scripture and as they are uttered by living prophets, seers, and revelators. Let us with faith and diligence feast upon the words of Christ, for the words of Christ will be our spiritual Liahona telling us all things what we should do.
Encourage others each and every day-nothing's more important than our words. Did you know that, on average, each of us speaks about twenty-five thousand words daily? My last book didn't have that many words. A lot of language is flowing out of our mouths every day and having an impact on those around us. But how much of that flow is fulfilling God's intended purpose for our speech? How much of it reflects pride, rather than a gospel-motivated humility?
Listen to us rather than to Arkady Mamontov talking about us. Don't twist and distort everything we say. Let us enter into dialogue and contact with the country, which is ours too, not just Putin's and the Patriarch's. Like Solzhenitsyn, I believe that in the end, words will crush concrete. Solzhenitsyn wrote, "the word is more sincere than concrete, so words are not trifles. Once noble people mobilize, their words will crush concrete."
You can give words, but you can't take them. And when words are given, that is when they are shared. We remember what that was like. Words so real they were almost tangible. There are conversations you remember, for certain. But more than that, there is the sensation of conversation. You will remember that, even when the precise words begin to blur.
When we can't hold back, or set boundaries, on what comes from our lips, our words are in charge-not us. But we are still responsible for those words. Our words do not come from somewhere outside of us, as if we were a ventriloquist's dummy. They are the product of our hearts. Our saying, "I didn't mean that," is probably better translated, "I didn't want you to know I thought that about you." We need to take responsibility for our words. "But I tell you that men will have to give account on the day of judgment for every careless word they have spoken" (Matt. 12:36).
Holy places are dark places. It is life and strength, not knowledge and words, that we get in them. Holy wisdom is not clear and thin like water, but thick and dark like blood.
There's often a distressing disconnect between the good words we speak and the way we live our lives. In personal relations and politics, the mass media, the academy and organized religion, our good words tend to float away even as they leave our lips, ascending to an altitude where they neither reflect nor connect with the human condition. We long for words like love, truth, and justice to become flesh and dwell among us. But in our violent world, it's risky business to wrap our frail flesh around words like those, and we don't like the odds.
The definition of good prose is proper words in their proper places; of good verse, the most proper words in their proper places.The propriety is in either case relative. The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.
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